Adventure Time, Animation, Lifestyles

“Return to the Nightosphere” Review

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Original Airdate: April 30, 2012

Written & Storyboarded by: Ako Castuera & Jesse Moynihan

After three stories involving romance and one experimental episode, it’s nice that season four has its first true adventurous episode. Season four didn’t really have the best start, but this is one that feels like a breath of fresh air. It introduces us to the realm of the Nightosphere, and what a terrifically designed place it is! The episode is pretty much carried by the intrigue of this foreign underworld, and also because it’s just simply freakin’ hilarious.

The episode doesn’t waste any time by immediately throwing our two main characters into their main conflict right away, making the audience equally as interested in figuring out their dilemma as Finn and Jake are. There’s a ton of intrigue surrounding this one, from the way Hunson Abadeer is regarded amongst the citizens (the name “Hunson Abadeer” actually comes from Jesse Moynihan’s car, which was given the name by his brother) and just what the hell the meaning of bananas is.

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Part of the fun of this episode just comes from the surroundings. The civilians and environment of the Nightosphere are just spectacular. I love the random demons who hang around Finn and Jake at the beginning and just roll around and wave their arms. Then there’s the longshot a couple minutes in, which Jesse Moynihan has a pretty big self-indulged boner for, but can you blame him? It looks fantastic! Jesse’s been known for his long pans, especially in an episode like Death in Bloom, and this one really takes the cake. It’s funny, fast-moving, and builds a lot of atmosphere within the Dark World. There’s so much to take in that it’s impossible to notice everything on a first viewing; dozens of different areas on fire and surrounded by lava, wacky beasts, laser fights, a stock woman scream in the background, hooded groups of people walking into a building and (presumably) committing suicide as a tall demon watches, and so on. It’s something you can tell Moynihan really went all out with, and his pride in it really makes it all the more admirable to me.

There’s also other cool designs, such as the transportation demon, the teller, the guy on the boat, and many others. The thing about the demons is that they’re so obscure and oddly designed, and there’s actually a pretty big animation error with one of these characters that it’s hardly even noticeable because of it. Yeah, one of the demon’s ears were recognized as hands during the animation process, and it’s a bit of a confusing sequence once you realize those aren’t his hands, but it still kind of works to me in a silly way. Even if it was an error, it almost entirely makes sense with the world of these demons that moving their ears around like arms is just something that’s a social norm. And even though these demons are so obscure and unique, I love how their dialogue is so mundane and casual. Some of their exchanges are great, especially the one with the anxiety ridden demon waiting in line who can’t make brown (as someone who suffers from chronic IBS, this dude really hit home for me).

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Finn and Jake’s incorporation into the episode is just superb as well. I love any plotline that puts the characters into an increasingly boring or painstaking situation, and the “waiting in line” scenario often works a charm. Finn and Jake’s general deterioration throughout this one is great, from their sobbing and transition into insanity while waiting in line to their relentlessness to eventually meet with Abadeer, it’s fun watching these guys really try to stick it out together. Jake even utters the Japanese phrase “jouzu de Ganbatte ne (have faith and go forth)” to keep up Finn’s spirits: something Jesse’s mother would tell him when he was a young lad. D’awww.

It all leads to a pretty dope climax when Finn and Jake battle off with the beast they assume to be Abadeer. There’s a lot of cool details in Hunson’s domain, with some neat frames hung on his wall, including pictures with Peppermint Butler and the King of Mars. We all know Peppermint Butler has close connections to dark lords, but I wonder what the connection is between Hunson and ol’ Abe. Perhaps they’re just on friendly terms, like Abe and Death are. Besides that point, it all leads to a full-on battle in a bright and colorful warp hole, where it’s revealed that the beast was none other than Marceline! Draaaama bomb! Of course, that cliffhanger won’t be addressed till next episode, so we’ll talk about it more then.

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This one is just terrific though. Jam packed with jokes, gags, atmosphere, and placed in an awesome setting. The next one is really more emotion and writing based, so I’m glad we did have this first parter that gave us time to explore the Nightosphere a bit more before getting right into the meat. It’s always fun to check out different lands in the AT world, and the Nightosphere is one of my favorite in that regard. Just an all around good time. Onto Daddy’s Little Monster!

Favorite line: “Charlie, don’t socialize with the smaller demons! They’re dirty and stupid!”

Adventure Time, Animation

“It Came from the Nightosphere” Review

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Original Airdate: October 11, 2010

Written & Storyboarded by: Adam Muto & Rebecca Sugar

Marceline is one of the most mysterious, yet developed characters in the entire series. Many elements of her past are vague; how she came into this world, the timeline between her entrance into vampirism to the time she met Finn and Jake, her past relationship with Bubblegum, etc. In her two spotlight episodes during season one, the only thing we could gather about Marceline is that she’s lived way beyond a handful of the main and secondary characters, and that she’s lost a chunk of her moral ethics along the way. It wasn’t until this episode that the more hidden layers of her character begun to unravel, in what is most likely the second season’s strongest effort.

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This is the first episode to welcome Rebecca Sugar to writing team, and I’m sure I don’t even have to explain to any of you who she is. I have somewhat controversial opinions about some of the episodes she has worked on, but overall believe that she’s one of the strongest writers on AT. The staff has said time and time again that Marceline is one of the hardest characters to empathize with, but I think it’s safe to say that Sugar knows Marcy better than anyone. She really made the character her own during her time on the show, and helped this episode to go above and beyond to showcase her more sympathetic side, along with the help of Adam Muto.

While I’m certainly not one of those people who believes that the series instantly began to rot once Sugar left during season five, the music of the show sadly did undergo decline. The reason I mention this is because “Fry Song” is the first song that was written by Sugar, and it really sky rockets above anything we’ve heard thus far in the series, and one that isn’t really comparable to anything we hear in later seasons. The raw emotion, the soothing strums, coupled with Olivia Olsen’s beautiful voice are really what make it one the show’s most famous symphonies.

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Hunson Abadeer, who is simply referred to as “Marceline’s Dad” or “Daddy” in this episode, as well as being voiced by Olivia Olsen’s father Martin, is the first real threat to the series. Thus far, we’ve had Ice King, Magic Man, Ricardio, among others, but none have felt as threatening as Abadeer. What makes him most effective as a villain is his connection to Marceline; we’re not really supposed to like this guy, but at the same time, we feel the strong emotions of our main heroine (in this case, Marceline) and want the two of them to be able to be able to reunite as family once again. It’s an impressive feat of conflicting emotions, and helps us both empathize with Marcy, as well as wanting Abadeer to be defeated.

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Finn is written terrifically in this episode. While we’re able to put ourselves in Marceline’s shoes, Finn never lets his emotions get the best of him. What he wants is what’s best for Ooo, but also for Marceline. While a 12-year-old can’t possibly understand what Marceline’s going through, Finn knows to allow what’s pure and righteous to save the day, and not to let his own feelings control the outcome.

This is also a great episode to showcase some of Ooo’s wonderful side residents. Among some of those residents are the Marauders and the Fuzzy Friends, who, to this date, have not appeared since this episode. Maybe they never got their souls back? Keeping in the tradition of building story arcs off of non-sequiturs, Abadeer deems Gunther as the most “evil thing I’ve encountered,” and we learn later on that Gunther is actually the powerful space deity Orgarlorg. I doubt this was planned from the beginning, but it’s a lot of fun to go back and watch this episode to see that the concept of Orgalorg didn’t arise from nothing.

There are some really beautiful nighttime landscapes in this episode. Ooo feels extremely expansive, as we explore Marceline’s House, the Grasslands, Red Rock Pass and the Ice Kingdom. The colors are especially vibrant, and really make the entire experience illuminating. As I’ve said, it’s just really nice to see Finn and Marcy hanging out as well. I just genuinely enjoy the way these two characters work off of each other, and this is one of their cutest interactions thus far. Also, if you were wondering where Jake was in this episode, he was in Finn’s pocket the whole time!

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Favorite line:No one flicks me in the butt without my consent!