Tag: Fionna

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“Simon Petrikov” Review

Adventure Time Reviewed


Original Airdate: August 31, 2023

Written & Storyboarded by: Iggy Craig, Graham Falk, Jim Campbell & Lucyola Langi

Hope y’all are diggin’ the new site updates! I went a bit manic last week with messing around with the layout and testing out different images and styles. Hopefully you weren’t too alarmed hopping around on the site at that point in time – everything should be squared away for the time being!

One thing I love about AT is the motif they’ve committed to over the years with naming episodes after main characters, and usually use that episode space to demonstrate how that particular character ticks. I kinda figured Fionna Campbell was just using it as an opportunity to showcase the more humanized world of F&C, but the rest of the season mostly commits to working hand-in-hand with this theme. Simon Petrikov, of course, delves into the psyche of Simon as he continues to try to get adjusted to his life after being Ice King for so long. And, in terms of how these episodes typically go, this one is particularly grim. Finn the Human showed that Finn is just generally a very selfless person no matter what his circumstances in life are like. Jake the Dog demonstrated how Jake typically goes with the flow even in the midst of certain disaster. Marceline the Vampire Queen depicted Marceline’s struggles with her own inability to change and her making a conscious effort to try to progress in a very stagnant world. Bonnibel Bubblegum got to the root of PB’s wildly naïve perspective gained from ruling over others in a less mature state of mind. Simon Petrikov is really just about how Simon doesn’t want to be alive. Sad!


A lot of the foundation for Simon’s arc throughout the season is laid out pretty early on in Simon Petrikov. The flashback scene with Simon and young Marcy pretty much sums up Simon’s fears of having to be comfortable in his own skin, and it makes sense. So much of what we know about him up to this point is that he had a deep connection with Marceline and a deep connection with Betty. Aside from his own interest in anomalies, his identity is really built around the idea of how much he cares for these two people, so it’s not really hard to believe that he was kind of dependent on them. Not to say that Simon’s not a good egg – he’s not some egomaniac who uses people for his own wellbeing. But so much of his identity has been built around his dedication to others that there’s never really been much flex time to develop himself beyond that. Which would probably be easier to stomach if that was the only problem he’s having, but add in the fact that he’s been out of his mind for 1,000 years and he has no one that he can actually relate to and you have a real recipe for a madman.

The Cheers theme song comes in once more to really hammer in those feelings of isolation that nag at Simon. His desires for escapism are all laid out in the lyrics themselves and I think Cheers in general is a show that Simon has some sort of sick relationship with. We see him watching it at the beginning, but I don’t even think he likes it! It’s the one piece of media that reminds him of his own humanity but makes him feel equally isolated through his inability to actually achieve even the mundanity of going to a bar and connecting with others (which, more on that later). It doesn’t help that he’s essentially an alien in the eyes of Ooo residents. His day consists of explaining what ironing is like to former Islanders and getting roasted by a little girl about how he used to be really cool when he wasn’t himself. It was cool seeing the newly established Human City after the events of Come Along With Me, and even cooler recognizing their expressions as a staple of Graham Falk’s boarding! Falk returned to the series as a board artist after being absent from Distant Lands. It’s a little bit more difficult this time around to pick up on the style of individual artists, but the expressions of the humans, the monobrows, and the way everyone will occasionally stand at a very titled angle have him written all over it. It was good to see that element of familiarity while I continue to get to understand the newer writers and board artists better.

Speaking of newer board artists, Iggy Craig has also returned to the series after working on the first three Distant Lands specials! His boarding begins after Simon breaks down and closes up shop. Craig’s drawings of Simon are really spectacular, nailing all of his pent up disdain in really expressive ways; Simon rubbing his face in frustration, longingly staring at the statue of GOLB, and all of the wonderful close-ups of Simon’s discomfort in the bar are courtesy of Craig. Hopping into the bar scene, this whole section of the episode is really great. Part of the fun of the series being rated TV-14 is that they can have Simon be a straight-up alcoholic! But it’s not the escapist fantasy that the Cheers theme song promised – Simon’s not able to take a break from all of his worries at Dirt Beer Guy’s Tavern. Instead, he’s once again faced with a community of people he can’t relate to, constantly reminded by those around him of his troubled past, and left to get drunk off of poorly mixed cocktails. Of course, that’s not to say that everything facing Simon is purely antagonistic. Those around him aren’t trying to make him feel bad, but they really only know one side of him and I don’t really get the feeling that Simon really has a grasp on who he is outside of the fact that he used to be Ice King. And that he’s an antiquarian, but I don’t know how much of a use that position has in an area like Ooo. So the reminders from his past by the likes of Dirt Beer Guy aren’t exactly compassionate, but DBG’s at least trying to connect with Simon on some level that he thinks might make him feel important. Also, holy shit, adult Finn!!!!!!!!


I knew we were going to get a little bit of a glimpse into his ventures based on the Fionna and Cake trailers, but I assumed it would all be limited to multiverse stuff. I didn’t expect for him to just hop in and be featured in a majority of this episode, but honestly, I loved it. The glimpses we get from adult Finn’s life are almost exactly what I would expect his late 20s/early 30s to be like: still selfless and affable, still very repressed emotionally after losing Jake, and a bit of a himbo. His interactions with Simon hit on the same missteps that Dirt Beer Guy covered; Finn’s not trying to be malicious or make Simon feel bad, but wants him to lighten up a bit. It’s just not what Simon wants to hear. Of course, it also makes sense why Finn wouldn’t be able to relate to this issue either. Despite his humanity, he’s grown up surrounded by magic his entire life, so he’s not exactly the key person to necessarily relate to his problems either. I think of all Simon’s turmoil, the moment that hits the most for me is when he discusses dressing up like Ice King in order to cope. What started out as a silly gag in Obsidian is painted as a moment of true baggage for him. The way Simon looks at Finn when he mentions it, probably assuming that Finn would probably be horrified when he heard that, shows how deeply ashamed he is of it. Of course, this gets a bit too heavy for everyone involved, so Finn counteracts it the only way he knows how – by taking Simon on an adventure.

I did just mention that Finn was selfless and I think that dedicating his entire day to making Simon feel better is a clear indicator of that. But it’s also clear that this is something that would cheer Finn up, not necessarily Simon. In a lot of ways, I think Finn has become more similar to Jake in his adult life. Jake was never too savvy when it came to dealing with emotional turmoil and would usually resort to mostly surface-level modes of cheering Finn up, like taking him on a quest in Dungeon Train to help him deal with his break-up or providing him with a shit-ton of waffles in The Music Hole. It’s not because Jake is careless, he just only really knows what would personally make him feel better based on his own life experiences. Finn seems to be operating in the same way, with the added factor that he is likely carrying his own heavy baggage of moving through life without Jake, and has found his own ways to distract himself so he doesn’t spiral. Also, really sweet how he’s hanging out with TV in this episode after being seen traveling with Bronwyn in Obsidian. He’s a great uncle! Also nice to see that he still kicks ass and slays beasts as an adult. Come Along With Me left me a bit perplexed with how it left off Finn’s character, in that he kind of followed the Steven Universe route of pacifism that just didn’t necessarily seem fully true to the sensibilities of the character. In hindsight, it seems clear that this move was a life lesson for him that not all of his problems can be solved by fighting, but he’s still open to fucking shit up every now and then. I also love the added bonus of him quietly thanking the beast for its sacrifice. Man is totally picking up all of that woo-woo stuff from hanging out with Huntress Wizard and I love it. HW gets a few mentions in passing and I think it’s pretty apparent that the two still are romantically involved, or at the very least still very connected. I like to think that they have a relationship similar to Jake and Lady’s in the early days, where Finn and HW mostly live their own lives but are still very connected and understanding of each other’s boundaries. Also, they definitely have passionate forest sex in the brink of the night. This I’m certain of.


The quest with Simon goes about as well as one would expect it to go. Simon clearly isn’t into it and is generally mortified by the array of (very cool looking) beasts. That’s not to say that the trip is devoid of pleasures, as Simon and Finn have a very sweet moment by a campfire. I really love the little sentiments of Simon sharing some old outdoorsy stories with Finn, and (I’m going to be saying this a lot in these reviews) Tom Kenny does a terrific job at delivering these lines with a full sense of sincerity. It seems like Simon is actually starting to find connection through sharing these stories, but is once again bogged down when recounting Betty’s presence. This is probably where Finn could’ve been more supportive in letting Simon vent his frustrations, but again, he’s operating from a stance of survival from falling down an emotional rabbit hole. Of course, this backfires and their trip is cut short. It’s cool to see that, despite Finn’s adversity towards emotion, he does seem to embrace the wisdom he learned in his developmental stages. Namely, he blindfolds himself to find a way out of the forest, akin to The Hall of Egress! Really missing Tom Herpich having a vital role in the series, so this was as good a homage as ever. The two part ways (the way Finn flaps his hand as he’s talking offscreen kills me) as Finn exclaims, “I love fixing people!” What a sweet lil traumatized boy.

We get the return of Rebecca Sugar in song form, as “Part of the Madness” plays over Simon aimlessly walking through a disconnected landscape. I’m basic, but this is probably my favorite song from the season. It’s always really nice to have Sugar show up in any capacity and I just think there is something evergreen about her singing voice and the tunes she plays. There’s just something so relaxing yet somber in everything she produces, I truly think she can do no wrong when it comes to music. Looking forward to her upcoming solo album as well! And speaking of Sugar staples, we get an instance of Simon finally attempting to reach out and connect with Marceline, to no avail. She’s too preoccupied having fun with PB, in what is probably the worst timing ever. I think Simon talking to her is something that Marceline would totally be open to, but having her seem totally enmeshed with her own life wasn’t really motivation for him to open up any further. I’ve seen a lot of people annoyed at Marceline’s behavior in this instance, but I think it simply can just be chalked up to the relationship between a parent and their adult child. I think as a child you kind of just automatically assume that your parents are always doing fine because they don’t generally keep their struggles hidden, and it’s difficult for a parent to open up because they don’t want to weigh down someone that they’re supposed to be taking care of. I think it was all done as a way of playing out their dynamic as they continued to become reacquainted following Simon’s revival.


The way I really knew Adventure Time was back in full force was seeing the reveal that Evil Choose Goose is now being kept captive in Simon’s apartment. What is more AT than setting up a big cliffhanger for what’s to come only to unceremoniously reintroduce it in a very underwhelming way?? Of course, I don’t really mean that as a legitimate criticism. I don’t think I really wanted a series that featured Choose Goose as the main antagonist, so this was a fun little twist to wrap up that previous teaser. Also, I will never understand what the fucking obsession is with Choose Goose all of a sudden. Dude appeared like, 5 times total in the original series and currently he shows up every 10 minutes in every Adventure Time iteration now. It’s almost like they got rid of the snail but couldn’t cope with the idea of not having any reoccurring character show up in every episode. Speaking of the snail, that dude is dead now apparently! It felt like this was a final attempt from the crew to distance themselves from him after he re-appeared in Together Again. Though I guess that didn’t work too well either because he appears a few other times in Fionna and Cake. They just can’t get rid of the lil guy. The final scene with Simon attempting to make contact with GOLBetty is a great, tense conclusion. Come Along With Me definitely made me a bit more hungry for more content dedicated to GOLB, and jumping into that with a dark, ritualistic spell was enough to get me sucked back in. The episode wraps up with Cake exiting Simon’s mind and a brief transition into Prismo’s timeroom, showing that he’ll be more involved in what’s to come. I wonder what will happen, I say having seen every episode of this season already.

But in all seriousness, this was just what I needed to get me back into Adventure Time. Of course, I think a lot of that is incentivized by the great moments with adult Finn, but I also genuinely love all that we get from Simon too. The events of Come Along With Me left me a bit polarized, mainly because I felt like it was a bit of a copout to have Simon AND Ice King both have a happy ending. By that point in the series, I had appreciated what the show was doing with displaying Ice King as his own functioning, developed person, so it bummed me out that they gave Simon what seemed like the happier ending and just tacked on that, “oh yeah, Ice King is here and fine too I guess.” But Simon Petrikov, and the rest of the season, prove that this wasn’t necessarily a happy ending for Simon. The episode does a great job at painting just how miserable his life is and doesn’t just limit it to him missing Betty. I’m often reminded of those terrible Simon & Marcy comics from a few years ago that just dialed back on all of the sacrifices made in Come Along With Me and provided Simon with an almost unequivocal happy ending by rescuing Betty. Simon Petrikov throws those stories aside by showing very candidly how much Simon is struggling in his body, even beyond just his connection to Betty. But again, my clear bias towards adult Finn has probably bled through this entire review. We eating good with this stuff, AT fans!


My little production tidbit is that, according to a tweet by Brian A. Miller, “Part of the Madness” was a homage to the former internal tagline used at CN Studios. Of course, this might just be speculative on his part, but it’s really sweet to think about. Sugar adds a bit of a personal touch to each of her songs, so it’s not a stretch to consider that the song revolves around her considering her life outside of CN. And, with CN Studios shutting down not too long ago, it’s especially bittersweet to entertain.

Favorite line: “Why isn’t it a phone?”

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“Fionna Campbell” Review

Adventure Time Reviewed


Original Airdate: August 31, 2023

Written & Storyboarded by: Hanna K. Nyström, Anna Syvertsson, Haewon Lee & Jacob Winkler

Well, just when I think I’m done, they reel me back in!

I didn’t think I’d be reviewing Fionna & Cake. After Wizard City, I was left a bit fatigued from AT in general and having ANOTHER series announced soon exacerbated that fatigue. I love AT more than any other show, but I really didn’t want to see it going in the Star Wars route of continuing to churn out new content all the time through methods that felt particularly fanservice-y. And if you’ve followed this blog up to this point, you’d know I’m not huge on Fionna & Cake stories in general. I thought the first and (to a lesser extent) second stories were lots of fun but beyond that, the characters and world kind of felt like a chore as time went on because the team knew how popular they were and didn’t want to leave them in the dark completely. Those feelings of disinterest peaked with the episode Fionna and Cake and Fionna, which took what I thought was a totally nonsensical turn in order to maintain interest in their world (which, all things considered, it’s probably not my choice for worst AT episode anymore. But it still ain’t hot). So, with that said, I was left disheartened feeling like the staff was grasping at straws to continue the series in some capacity with a concept that fans, including myself, had already lost interest in years ago. I was pretty prepared to watch F&C but also let go of my love for the series, as I felt Distant Lands was already kind of a departure from what I personally loved about AT. To my surprise, Fionna & Cake actually reignited my interest in Adventure Time, to the point where I went from having no plans of reviewing it, to deciding to have one big write up for it, to deciding to go episode-by-episode as I would in the past. Having seen up to episode 8 by this point, I’ll add that I don’t think it’s perfect, and I’m probably more critical about it than most of the fandom seems to be. But I can’t deny the level of love that went into a lot of it and some of interesting choices made that grabbed me back in. So yeah, we’re doing it! I’ve said it before, but I’m gonna be 50 fuckin’ years old reviewing this series because I can’t get rid of it! Hopefully people are still connecting with and enjoying these write-ups, but I’ll probably be here regardless! Strap in!!


Before we get started, I also just wanted to do some housekeeping – feel free to skip this paragraph and hop into the review. I’ve been getting a lot of comments about how I messed up the season ordering and a lot of people watching for the first time and reading along were impacted by it. Truly apologize for this! As I mentioned before, the seasons were picked up and communicated to the staff in a different way than Cartoon Network would later decide to re-order them. At the time, I was kind of under the impression that this would be sorted out/fans would have their own understanding of the true season orders, but that was kind of a stupid assumption for all of new viewers joining the fanbase. Even though the season reviews I have up would still be a bit out of place, I’m open to suggestions if y’all think I should correct the order on my archives, or even just include a disclaimer at the top. Interested in suggestions, though there’s plenty of other anachronistic elements of this blog (such as how casually I would include spoilers for the future in early reviews) that I’m not sure are worth fixing or just leaving as is. Feel free to let me know – onto the review!

The introduction of the episode did immediately suck me in – the anime-esque chase scene boosted the animation bump that AT has experienced since jumping to Max (probably also benefits it that they don’t have 100 episodes to work on at once) and the art direction, mainly helmed by Jenny Yu, looks beautiful. I love the de-saturated colors and the pastel looking backgrounds. It’s pretty apparent from the start that this is going to be a dream sequence, kind of in the same sense of how the beginning of Bad Little Boy was clearly a façade to lean into the main concept of the episode. And the premise is basically all about how Fionna Campbell (it took me embarrassingly long to understand why her name wasn’t still “Mertens” in this universe) hates her life!


The transition between Adventure Time being a children’s show to Fionna & Cake being for “young adults” was one of the promises that most intrigued me about the new series. I didn’t know if this just simply meant that the characters would be able to more casually swear now (which they do) or that the scope of the series would be generally more adult in its content in dealing with serious topics. I kinda grappled with how that would even differentiate itself from the original series, because Adventure Time was really no stranger to tackling taboo subjects in the most roundabout ways. I mean, I can’t really think of any other animated series aimed at children, or adults for that matter, that so blatantly had an entire episode centered around a teenage boy having wet dreams. In execution, however, I was kind of surprised at how this change in audience came into play. Granted, there are scenes far darker than what they probably could do in the OG (with blood now!) but the worldbuilding in Fionna Campbell really sets up a universe that is supposed to connect more with with the current generation/young Millennials’ complicated view of the world around them. This feels like a natural progression – AT started out as a wacky children’s show that encapsulated the energy internet humor that was prevalent at the time. While remaining a children’s show, it did challenge its identity by maturing as it went on and dealt with the evolving reality of a child moving into young adulthood. Fionna Campbell drives home those sentiments of young adulthood by having its characters grapple with the increasingly intolerable elements of the working world and the frustrations of being comfortable in an adult body.

Fionna’s arc is very much defined by these struggles, but in a way that doesn’t necessarily paint her strictly as a victim. Something that is made clear very early on and supported by the rest of the episode is that Fionna is pretty selfish, for the most part. She doesn’t really have consideration for the people around her and kind of prioritizes her own feelings over everything. I think this could’ve easily been distorted into out-of-touch writers using Fionna as a means to project a moralistic conclusion to the current generation, but the team really seems to use it as a point of personal identification rather than judgement. Especially from a team of writers in the animation industry, where they’re essentially paid scraps to produce a high quality project that may or may not even survive the course of a year, resulting in poor job security. Living the dream! Those sentiments definitely connect to Adventure Time‘s overarching goal of having the viewer connect to its central character in the midst of an absurdist world. And even without the magic, that’s kind of what real life is! Find relatability and connection in a world that doesn’t really make a whole lot of sense, so it was a cool way of painting the world of AT in a way that felt more grounded but still exhibited a layer of weirdness to it.


That being said, I didn’t really walk away from this episode loving Fionna’s newly established character. Fionna herself was always pretty incidental in my eyes to the F&C stories (as pretty much every character was) so it’s not really that they changed her in any way that I didn’t enjoy, I just didn’t find myself super invested in her after this episode and that pretty much remains throughout the season. Her arc just feels kind of… spelled out to me? Like, those elements of her being selfish and needing to take responsibility for her own feelings are established here and then really never explored in a very interesting way beyond this point. There are some nice parts of her journey and I think Madeleine Flores (EDIT: Madeleine Martin. Madeleine Flores co-boarded Little Brother) does a really exceptional job at making the character naturally charismatic, but her journey throughout this season always felt secondary to me in the grand scheme of things and especially in comparison to Simon’s journey, even if they are supposed to be parallel to each other. At this point, we’re only up to eight episodes, so my feelings could change about her role in the series as it concludes. But as of right now, Fionna herself is definitely one of the lower parts of interest for me personally.

Again, that’s not to say she doesn’t have her moments. I generally think her selfish and often anarchistic behavior is pretty funny at times throughout the episode. I like the newly established dynamics between her and Marshall Lee and Gary, Prince Gumball’s human stand-in. It’s kind of interesting how Fionna’s differences from Finn also make her lean more towards the support of Marshall and less towards Gary, who is kind of a wet blanket in this world. Finn’s righteous selflessness draw him more into the direction of PB’s need for law and order, while Fionna’s interest in finding excitement is what draws her more to Marshall’s lifestyle. And in general, Gary and Marshall are great! Marshall Lee is still a lot of fun and it’s great to have Donald Glover back as the character. Glover has gotten a lot bigger in the past 10 years, so it’s really cool that he stuck with the series this long. Gary has his third voice actor in the span of his character (I don’t think ANY character has ever had that many?) Andrew Rannells portrays him now, whose credits I don’t really recognize, but he sounds strikingly similar to Keith Ferguson’s performance from Five Short Tables, so I didn’t even notice the difference at first. Marshall Lee’s short song was also a nice addition, written by Pat McHale and Somvilay Xayaphone. It’s great to have both of those boys back in some capacity!


As for the rest of the cast of characters, I wasn’t really to keen on going through the various different character cameos. There were some fun additions, like “Ellis P.” as a homeless animal whisperer and the return of relatively obscure F&C characters, like Butterscotch Butler (or Beatrice, in this version). I just feel like we kinda already went through the schtick of showing alternate versions of Ooo denizens to the point where it just isn’t really that engaging anymore. Adventure Time has always been a series that embraces hiding Easter eggs and referencing past episodes and characters, but there’s points when I think Fionna & Cake uses these hallmarks a bit too frequently. Having alternate versions of recognizable Ooo residents in every universe makes the scope feel a bit too small at times and having the crux of Fionna Campbell feature character cameos large and small leaves the story itself feeling a bit thin. In general, I felt the hop from the franchise mainly consisting of 11 minute episodes to now nearly 30 minute episodes was perhaps most noticeable early on. A lot of Fionna Campbell feels like it’s just kind of beating around the bush for most of its runtime in a way that didn’t always grab me. I know they wanted to take their time and make the new world feel lived in and real, but there were some sequences that just lingered on a bit too long for me, most notably the bus scene.

There were plenty of other small bits I enjoyed. I liked all the hints at the world connecting to Simon, such as the Betty statue and Cheers playing on every channel (is this the first time we see real life media portrayed in AT? I love how Pen is the voice of Norm as well). Cake as a normal cat was suuuuper cute, I’m a sucker for all of the cat gags the season has to offer. I also really like the beginning song by Zuzu and Kurran Karbal; I know this show has a few songs that have already become really beloved, though this one is definitely up there for me.


But yeah, I think it’s a decent start to the season. It really isn’t the first point of investment for me personally. It was nice to have AT back once more and I was certainly a bit more intrigued with how everything would go down, but it took the second episode to really get me into it, and then even another few to REALLY suck me in. A lot of the beginning of Fionna & Cake is primarily setting up what’s to come, but I do think Simon Petrikov is essentially also doing that and just has more points of interest and stuff that I’m into. As is, Fionna Campbell is a fine way to kick it off, but definitely could’ve trimmed off points of excess.

I’ll be posting reviews every week until we reach the 10th episode! As a tagline to this review, wanted to include a cool crew fact in each write-up, since I’m following them all pretty closely on social media. Michael DeForge designed the title card for Fionna Campbell, including every other title in the season. I’ve been reading DeForge’s comics for the past year and they’re really terrific. He’s worked on Adventure Time as a character designer for over a decade now, and I think he’s a key artist from the series that doesn’t get enough recognition. Check out his site and buy one of his comics – you won’t regret it!

Favorite line: “Open your miiiiind.”

Adventure Time, Animation, Lifestyles

“Fionna and Cake and Fionna” Review

Adventure Time Reviewed

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Original Airdate: July 19, 2017

Written & Storyboarded by: Aleks Sennwald & Hanna K. Nyström

I don’t think a single episode of Adventure Time strikes me as more bizarre than Fionna and Cake and Fionna. A bold statement to say the least, but it’s not because the episode is filled with weird gags and non-sequiturs, akin to King Worm. This is the type of episode that really makes me wonder, “who thought this was a good idea?” With all of the controversial misfires that AT dished out over the years, such as Finn gaining his arm back and Betty’s introduction being quickly glossed over, I’ve been able to accept everything for what it was even if it wasn’t perfect, or good, at the very least. However, the decision to build on the lore behind Fionna and Cake is one that I typically ignore all together just because of how ridiculous and pointless it is.

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The big revelation within this episode is that Fionna and Cake were apparently apart of some super old television show before the Mushroom War. So, all of this time, the Land of Ooo has comprised of coincidental duplicates of the entire Fionna and Cake cast? How… does that make any sense? It’s absolutely jarring information that (nearly) ruins the fabric of the AT world itself. Even worse is that it’s treated so casually, almost as if this is information isn’t Earth shattering in the slightest, and just a simple piece of expository dialogue to drive the episode home with. I’m guessing that this information was going to be utilized for later Fionna and Cake entries, but the show got cancelled and then nothing else ever came from this story at all. I don’t know if that’s a blessing or a curse, really, because as much as I feel like this plot point needs further explanation, I just don’t care in the slightest about Fionna and Cake or their role in this world at all anymore. The concept started out as a fun crackpipe idea that Natasha Allegri came up with, but has gotten so lost in the weeds that it doesn’t even know what it wants to be anymore. The world of Fionna and Cake simply isn’t that interesting – it’s just a watered-down and less characterized version of Ooo. The first two F&C episodes were satirical but loving jabs at the nature of fanfiction in general, the third and fourth entries seemed so straightforward and less committed to being parodies that there really wasn’t anything of substance within either, and this one feels like a desperate attempt to keep Fionna and Cake relevant in the world of Adventure Time through the most convoluted way possible. It’s pretty apparent that the staff really doesn’t know what to do with these characters anymore, but they clearly feel obligated to keep churning out an annual entry.

It doesn’t help that the episode is pretty boring on its own. My favorite bits of this episode are at the beginning – I love Finn, Jake, and BMO’s raft ride! After some of the craziest adventures they’ve ever been through, it’s really neat to see the boys back to having fun and enjoying each other’s company. Ice King’s book reading is similarly enjoyable, just for the fact that he actually had a decent turnout of people interested in listening to his stories. I really disliked that Bad Little Boy uncharacteristically portrayed Ice King’s writing as incoherent, because it’s actually one of his strong suits. As goofy as the subject matter is, he actually manages to churn out semi-decent tales with a committed story structure, and it’s nice to see that the folks of Ooo are captivated by these stories. The ol’ coot deserves it! As for the good stuff, the list pretty much ends there. Once the Fionna impersonator introduces herself, the episode slows down entirely while feeling like it’s accomplishing nothing at the same time. The Fionna impersonator really isn’t that interesting… you know from the beginning that she isn’t actually Fionna, so it ends up being a game of waiting for the revelation to come to the forefront. That element alone isn’t always poorly executed, but again, the fact that fake Fionna has little to no character at all makes it a pretty drab experience. I don’t know why they didn’t choose the more fun route of turning her into an obsession stalker, since it would’ve been cool to see Ice King work off of that type of personality. Speaking of which, Ice King isn’t at his A-game in this one. They don’t really give him any humorous material to work with; the closest moment he gets to being funny is when he incorrectly comes to the conclusion that the fake Fionna must be a mummy, but even then, it doesn’t do much for me. After coming off of the heels of Elements, this is probably the weakest IK episode in a long, long time.

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The actual Fionna and Cake segments are equally as pointless. Cake remains to be the only likable character in the F&C world, as Fionna continues to feel like a hollow and lifeless version of her counterpart. The story meanders for a good while, until the eventual twist that the mummy was actually the Queen of Ooo, which is a slightly obscure cameo, but it’s a pretty lame climax. The joke is essentially, “here’s this character all of you know, except as a lady!” which feels incredibly cheap and repetitive. A lot of Fionna and Cake stories are boring and forgettable, but this is definitely the most unremarkable of the five.

This episode tries to make up for being pretty joyless by leaving the audience with a few things to chew on, mainly the concept of Fionna and Cake being real that I had mentioned, and the fact that ideas for Fionna and Cake are beamed into Ice King’s head at night. I guess this could possibly mean that Ice King’s crown somehow picks up the signal of past Fionna and Cake episodes, or vice versa, with his mind projecting the ideas out to Ooo’s television signals, but again, I just could care less. I know that’s kind of an arrogant thing to say, mainly because I write this blog with the intention of putting as much care and passion in as possible, but I’ve gotten to a point where I’ve realized that Fionna and Cake really add nothing to the series beyond their initial episode. As I’ve mentioned, it was a enjoyably bizarre idea for the first entry, but it’s not a concept that lends itself to multiple different independent episodes centered around the idea. This episode would be atrocious for completely disregarding what made Fionna and Cake unique to begin with, but I’m not angry at it for the main reason that I’m not invested in this concept at all to begin with. Fionna and Cake outlived their usefulness long ago, and I’m eternally grateful that this is the last F&C episode ever produced.

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Favorite line: “Yes, let’s never do anything boring ever ag… Time for Ice King’s boring book reading!”

Adventure Time, Animation, Lifestyles

“Five Short Tables” Review

Adventure Time Reviewed

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Original Airdate: May 26, 2016

Written & Storyboarded by: Kris Mukai & Aleks Sennwald

Within the past 10 or so episodes, Adventure Time has been consistently churning out some really big and profound episodes. With that in mind, the obligatory Graybles/Fionna & Cake episodes likely feel more like a chore to the staff than a passion project by this point in time, which makes sense, since they chose to combine them. Both series are pretty hit-or-miss; while the Graybles episodes tend to get better, or at least more innovative as they go along, the F&C episodes only seems to get more lackluster and less fun as they go along. I can firmly state that Five Short Tables is nowhere near as awful as The Prince Who Wanted Everything turned out to be, though this one still fails to offer anything new or interesting to the series, and mostly just plays out as a dull, inoffensive use of 11 minutes.

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I’ve said it before and I’ll say it again, but there just really isn’t a very strong presence among the F&C cast. They’re all essentially carbon copies of their counterparts with diminished charisma and character traits. After Bad Little Boy, Fionna essentially just began to take on the role of “token nice girl” and she doesn’t really offer anything else beyond that. Cake is really the only character who stands on her own as a unique adaptation of Jake, though I often wonder if I’d even think this way if it wasn’t for Roz Ryan portraying her. I will tell you with utter honesty, there’s nothing quite as soothing as hearing Ryan utter the word “flapjack” again. I have trouble believing that this wasn’t an intentional move on the staff’s part. I also think Cake’s interest in expressive pancake art is charmingly silly, though not really enough to keep me captivated throughout the episode’s run.

I will say that the one character who did at least become a trifle more interesting is Gumball. While he sadly isn’t portrayed by Neil Patrick Harris in this episode (though Keith Ferguson at least gave it his all), we actually see a decent amount into Gumball’s psyche as Butterscotch Butler, the butterscotch Scottish butler, mentally eviscerates him using his fears against him. Not only does it give us an interesting look into Gumball’s insecurities and fears, but these can be easily seen as aspects of PB’s mentality as well, of which I have no doubt came into play because Ice King was snooping on her diary. How else would he know these dirty deeds?

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The next few entries are pretty blah. I’m pretty sure a lot of people enjoy the scenes between Turtle Prince and Flame Prince for the added Yaoi, but aside from that, there’s really nothing there that’s particularly entertaining. I remember a whole bunch of people were upset that Flame Prince wasn’t voiced by Dante Basco (which was the headcanon at the time), but holy shit, I had no idea he was voiced by Hannibal Buress until I looked it up! I’m a big fan of The Eric Andre Show. In the next table, we’re treated to a story in which Marshall Lee attempts to feed Lumpy Space Prince his medicine. It’s pretty unfunny, it doesn’t really have an interesting narrative at the helm, and I just don’t really care about the antics between these two pretty non-compelling characters. There are two things worth mentioning: it’s pretty obvious that this is the third board that Kris Mukai worked on for this season when looking at Marshall Lee’s demon-wolf hybrid. I have to say that Mukai’s boarding is a big strength for the episode; Fionna and Cake is big on allusions to anime, and I think Mukai’s drawings and expressions (along with her board partner Aleks Sennwald) really help to carry those allusions forward. The other thing worth noting is that LSP is not voiced by Peter Serafinowicz in this episode, of which isn’t too much of a distraction, because I feel like it effectively distinguishes the authoring styles of both Ice King and Lumpy Space Princess.

The final story starts out pretty creatively, as we’re literally treated to a fanfiction, within a fanfiction, within a fanfiction, within a fanfiction. It’s an idea so ludicrous that only AT could pull it off, and is truly one of the few highlights of this episode that is both pretty funny and legitimately complex. It was cool to hear Grey DeLisle reprise her role as Ice Queen once more, though again, Ice Queen doesn’t offer too much to the actual story and her segment stops almost as quickly as it starts. It is a silly idea that Ice King is the initial creator of the Graybles, and the ending with the distressed Cuber got a legitimate laugh out of me. It’s sad to think that this is actually Cuber’s last episode in the series. While the Graybles episodes were never some of my favorites (aside from the thoroughly ambitious Graybles 1000+), Cuber was always the strongest and most delightful part of any Graybles episode, thanks to Emo Philips, who really brought his character to life.

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Five Short Tables is pretty forgettable. I obviously don’t know what goes on inside the AT writing room, but if I had to guess, I’d say that the F&C episodes come simply out of the pressure of audience expectations and are never entirely what the crew wants to spend their time working on. I can’t say for certain, but I’ll at least say that Aleks Sennwald and Kris Mukai put enough effort into the visual and creative appeal of this episode that I can’t really get mad at it for being lazy, because there’s clear effort put into this one. The truth of the matter is that Fionna and Cake just don’t really have a ton to work with outside of their first appearance and the Graybles stories never fully land. It’s a crossover of two concepts that work together fine, but don’t really standout as anything slightly remarkable.

Thank you for joining me this week for the AT review bomb! With only 50 episodes left, we’re nearing the end. Be on the lookout for The Music Hole later this week, followed by the usual weekly Friday reviews, and then we resume with daily reviews as we move into the winter.

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Favorite line: “The purple thing had a tablespoon of syrup.”

Adventure Time, Animation, Lifestyles

“The Prince Who Wanted Everything” Review

Adventure Time Reviewed

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Original Airdate: June 26, 2014

Written & Storyboarded by: Adam Muto, Emily Partridge, Kent Osborne & Bert Youn

Blecch. The Prince Who Wanted Everything is the first stinker of the Fionna & Cake series, and a pretty blatant example of how these experimental episodes don’t really have much of a reason to keep being produced aside from a feeling of obligation based on fan reactions. The first was done strictly as a surreal passion project; I don’t think anyone on the AT crew knew how popular it would be, but as Fionna & Cake was met with practically universal praise, it only made sense for another F&C episode to be created. Two seasons later came Bad Little Boy, which was also well-received and a mostly solid outing, but kind of showcases the problem with Fionna and Cake episodes in general: the characters are basically carbon copies. Fionna has some interesting insecurities that were touched on in her first episode, but every episode that follows has her simply take on the role of Finn-Lite. She’s a good-hearted, laidback hero, and that’s about it. And the other characters, Gumball, Marshall Lee, Flame Prince, and so on are never given enough attention outside of their star episodes to actually have any selection of interesting character traits besides being slightly modified from their counterparts. Cake, on the other hand, is the only character who actually has a stand out presence in all of these entries, yet she’s often only given a small amount of screen time so the “Character of the Week” can hog all of the attention. And this episode’s star character is Lumpy Space Prince: a deeply unfunny gender-swapped version of Lumpy Space Princess that does absolutely nothing insightful or interesting, aside from being another chance to reinforce LSP’s vanity once more, as if that wasn’t already emphasized enough. Cut Rebecca Sugar – who was practically the mom of Fionna and Cake – out of the mix and you don’t really have a competent entry.

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This episode notably starts up with Ice King tied up. Why is it notable? Because it’s freaking Ice King, you guys! We haven’t seen him in what feels like forever, and it’s a shame, because I feel as though he gets the least amount of screentime in season six. It makes sense, as this entire season mostly steps away from the main cast to delve into the lives of some of the lesser known citizens of Ooo, though Ice King doesn’t even get a fair chance to have an actual role in this episode. He’s simply a blank slate at the hands of his kidnapper, Lumpy Space Princess, and isn’t really given anything interesting to do aside from obliging to read LSP’s passion project. Could’ve been a much more enjoyable scenario if Ice King was argumentative about the way LSP wrote for his characters, or that he didn’t agree with where the story went, but he uncharacteristically goes along with it without saying a thing. Pretty lame.

The story itself poses an interesting concept, at least from my initial impressions. Lumpy Space Prince’s tale of running away from his parents and stumbling into Aaa (or Ooo… whatever is cannon at this point in time) could perhaps reference LSPrincess’s first experiences in Ooo and how she came across Finn and Jake, albeit highly exaggerated. Though, the way it’s executed is simply done in a way that we’ve seen so many times in other LSP episodes. Most of this episode just seems to retread the general idea that Gotcha! revolved around, which is that both Lumpy Space Princess and Prince misunderstand the type of people Finn/Fionna and Jake/Cake are and come to respect their simplicity and approaches to life by the end of the episode. The entire episode basically revolves around Lumpy Space Prince trying to understand how to live as a peasant but is constantly blindsided by his own pretentiousness. And God, how many times have we all seen the story of a rich snob who is enlightened by the simplicity of middle-class charm? It’s so overdone, and it isn’t carried out any more interestingly here.

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Lumpy Space Prince’s voice actor (at the Princess’s request, of course), Peter Serafinowicz, certainly boasts a competent performance, but again, I don’t think he’s really given much to work with. Lumpy Space Prince is at his funniest through his expressions; his anime influenced “Handsome Face” is pretty amusing, even if it is a bit overused by the episode’s end. Regardless, it provides for some welcomed diversity among the typically expressive dotted eyes in the AT world. But again, Lumpy Space Prince’s primary character trait is his vanity, and it simply isn’t fun or interesting to watch him. He also has the displeasure of singing one of the show’s worst songs, period. “That’s All I Need” has a pretty awful melody, terrible lyrics, and a less-than-satisfactory performance from Serafinowicz. Feel bad making such a superficial comment about his singing voice, but some actors are simply not meant for said performance. And if the song was actually catchy, funny, or added something to the plot, I could forgive it, yet it does none of those things. Aside from some cool cameos of characters we haven’t seen before in this universe (namely Magic Ma’am), it just feels like it’s there to take up time.

Fionna and Cake are simply in this episode to be observers. Cake has some funny one-liners, as she constantly breaks the fourth wall, but Fionna really just does not do ANYTHING. Aside from giving an unintentional piece of advice to Lumpy Space Prince, Fionna just stands there and occasionally has a line or two. Sad to see she’s given such a boring role after her emotive and passionate presence in the past two F&C episodes. The one cool thing is that she actually is using the Wish Star Sword that she acquired within the Fionna & Cake comic series. Pretty awesome to see that something in the comics was actually adapted into the series, and it’s pretty much just there as a subtle Easter egg for any readers of said series. Also, Fionna’s model got updated to where it seems as though she’s matured more in her stance and body weight, and it looks somewhat off-putting to me. I dunno, the more realistic her anatomy gets, the more awkward and stiff it looks when you pair it with her really simplistic dotted eyes and lack of nose. Just looks kind of wonky to me.

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I guess the ending where Lumpy Space Prince discovers that his indifference to his parents’ disapproval of his behavior is a bit of an introspective moment for LSPrincess, but it only makes me wonder what the point an episode like The Monster has in the grand scheme of things if LSP never truly grows as a character. I understand if the writing staff just wanted to keep her stagnant in her developmental process and never learn or grow as all of the other main characters do, but if you have an episode like The Monster where it seems as though she actually DOES learn something, than the episode merely feels like discontinuity. I can understand if her decision to move back into the woods was based on her stubbornness and belief that she can make it on her own, but it seems as though she merely goes back to thinking her parents are monsters who simply want the worst for herself. Nice to see she’s embracing herself and her own behavior, but silly that she’d view her parents this way after realizing how much they care for her in the past.

And, as the story ends, the book reveals itself as a simple method for LSP to find a man who is exactly like her. Yes, Lumpy Space Princess loves herself and thinks she is the greatest person imaginable. We get it. LSP is at her best in episodes like Bad Timing or the upcoming Be Sweet, where her self-obsessed behavior is shown to be a mere facade that covers up her insanity based insecurities. Episodes like The Prince Who Wanted Everything feel like a rehash of everything we’ve already seen and know about the character. It’s like one of the lesser SpongeBob SquarePants episodes that focuses entirely on Mr. Krab’s absolute greed. We get that he’s greedy, it’s literally his archetype. We don’t need entire episodes centered around this one-note joke about a character’s personality. It makes them seem less two-dimensional and entirely more shallow. Lumpy Space Princess may perhaps be the most one-dimensional of the main cast, though she at least proves herself to be at her most interesting when her narcissism plays a role in her absolute mental instability, or the rare example where she’s actually able to benefit others through her repugnant attitude (such as the Elements miniseries). Yet, this episode doesn’t do justice to her character or the Fionna and Cake series in general. With a whopping four writers at the helm of this one, I’d expect more of a successful outing.

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Favorite line: “Y’all seeing those big floaty faces?”

Adventure Time, Animation, Lifestyles

“Bad Little Boy” Review

Adventure Time Reviewed

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Original Airdate: February 18, 2013

Written & Storyboarded by: Cole Sanchez & Rebecca Sugar

Bad Little Boy is perhaps the last enjoyable episode in the Fionna and Cake saga. That’s not to say the later episodes don’t have their redeemable moments, but I think this is the last one I’d consider to be legitimately “good,” or at least enjoyable. Not to say that this one isn’t without it’s problems, though.

I really enjoy the silly beginning with Ice King’s purposely terrible Fionna and Cake vs. Dr. Prince escapade, though I really am not sure if this works with the overall continuity of Ice King as the author of Fionna and Cake. I mean, it seems like something Ice King would write, yet the story told in Fionna and Cake was a legitimately captivating and well-written story, ludicrous ending aside. And then you have Five Short Tables where, enjoyability factor aside, was also a very well-written, coherent story from the Ice King. So I’m not really sure I’m fully behind the idea of the IK being a shitty writer, because again, it’s been contradicted both in the past and the future. But bitching aside, this was a fun beginning, and I do really love how Ice King is just casually reading to a group of captured princesses. Honestly, rewatching these episodes, I’ve really never realized how fucking bad Wildberry Princess has it. I mean, I think she’s gotta be the most frequently captured princess in the entire series. And Ice King doesn’t even like her that much! Poor chick has to deal with silver fox trauma almost everyday.

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The reactions to Ice King’s awful tale is where Marceline comes in, and I think it’s really cute that she was just chillin’ around the castle and spying on him. This is the first post-I Remember You interaction between the two, and it’s heartening to know that she already is comfortable enough with being around him that she doesn’t mind dropping by every now and then. And I appreciate how this episode is just them hanging out without any mention of their past history together. It’s nice to just see them shoot the shit for once.

Once Marceline’s story starts, it is nice to once again see Fionna, Cake, and Prince Gumball. Despite my feelings on the F&C episodes as a whole, I do appreciate these characters and the dynamic they share with each other. For instance, I like how Fionna is actually the one who’s kind of fed up with Gumball. The first episode established her as a strong female character WHO DON’T NEED NO MAN, and I’m glad this episode followed up with also showing off her general annoyance with Gumball’s prissiness. Also, this is sadly the last time we get to hear that lovely Neil Patrick Harris voice portray Gumball. This is why celebrity guest voices never work for recurring characters (looking at you, Lena Dunham.)

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Speaking of celebrity voice actors, Donald Glover portrays Marshall Lee in this episode, and man, is it spot on! I recall back to that terrific fan-animated video featuring Marshall Lee and I remember thinking, “I hope the actual Marshall Lee sounds like that.” And I’m sure it wasn’t intentional, but Glover captures that exact tone and deliverance perfectly, while also adding a bit of experience and flare to his performance. Lee as a character is very enjoyable as well; he’s basically Marceline as a playful douche, but one that’s a lot of fun in that regard. I enjoy his carefree dickishness (“I know you’re gonna say yes to me, so let’s just go.”) and I think it makes a lot of sense that Marceline would portray herself as a carefree badass. Obviously she’s a lot more caring and sensitive than she puts on, but we’re still at a point in the series where she hasn’t completely sacrificed her laidback facade.

Good Little Girl/Bad Little Boy are sadly Rebecca Sugar’s last original songs during her time on the show (yeah, yeah, I know we still have Everything Stays, but that was long after she left the series) and it definitely hits on all that Sugar charm that makes her tunes so catchy and enjoyable. I’m not one of those people who thinks that Sugar leaving the show was some catastrophic event that ruined the series, but damn, did the show suffer song wise after her departure. I can count on one hand all of the AT songs I enjoy post season 5.2, while I can count all the songs I don’t like on one hand from the first five seasons. A shame, really.  Nevertheless, Good Little Girl is an enjoyable vocal and visual entry. I like all the genderbent characters that attend the concert, including new visitors, such as Ms. Pig and the female Marauaders. I also crack up at the fact that Lumpy Space Prince’s voice is identical to his female counterpart, which is later acknowledged, but I think it works best here. Also, I can’t get enough of Cake shaking her rump and singing about her hot potatoes. That was priceless.

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The dynamic between Fionna, Marshall, and Cake works great as well. Again, I think Fionna is a little more mature and level-headed than our boy Finn, so it’s cool to see her fuck around with Marshall and not really fall for any of his bullshit, whereas Marceline usually leaves Finn hopelessly confused. Even strengthening her maturity is the idea that Fionna will allow Marshall to mess with her as much as possible, but once he messes with Cake, she don’t fuck around. This then transitions into the next song, where Marshall captures Cake and lays down some hardcore bars with his skeleton bros in a graveyard. This song isn’t quite as enjoyable or memorable as Good Little Girl, but it is nice for the show to utilize Glover to his fullest potential by giving him a chance to rap at all. And a pretty solid one, at that! Weird Al Yankovic still has yet to put out anything tolerably enjoyable during his time as Banana Man.

This conflict leads to some pretty gruesome shit where Marshall gets stabbed, which, even though it’s fake, is still pretty explicit for the show to feature. I do appreciate how the big emotional scene is just kind of treated as total bullshit and Fionna once again has the upper hand on the maturity scale, but it is kind of weird to see this coming from Marceline’s perspective. I love the idea that Marshall thinks Fionna is, “the realest person [he] has ever met,” which could easily be attributed toward Marcy’s perception of Finn, though the idea that Marshall Lee kinda puts on this attitude that Fionna is infatuated with him is… kind of strange, right? I assume Marceline doesn’t think this way about Finn, but why would she insert a quasi-romance between the two if it didn’t even cross her mind? Probably reading way too far into it, but it just is somewhat odd writing that I’m not sure I can ever really understand fully. I actually think I would’ve liked it better if the entire story was from Ice King’s perspective and it turns out he was reading to Marceline the entire time.

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However, the story ends, and Ice King is visibly disappointed with the turnout. Again, not sure I understand why, as it seems almost completely identical to the first F&C story, but I’ll let it slide. I do enjoy him kicking everyone out and taking time to praise his Fionna and Cake ice shrines, even if I still believe this one would’ve made more sense before Mystery Dungeon.

Overall though, I think this one is decent. I think there’s some definite lulls; as much as I enjoy the beginning scene with the IK, it makes the actual F&C story seem a lot more frantically paced. I mean, the actual story doesn’t start till about three and a half minutes in, and while it does contain plenty of enjoyable moments, it just feels like it’s on fast forward. I do genuinely enjoy Marshall Lee and his interactions with Fionna and Cake, so a bit more time and focus on the actual story would’ve been much appreciated. This is a particularly nice looking episode, however. The backgrounds are great! Love the lighting in the concert sequence, the eeriness of the graveyard, and the sunrise that befalls Marshall, Fionna, and Cake. It all visually looks really impressive. Aside from the visuals, interactions, and a good chunk of funny moments, this episode doesn’t really live up to its predecessor, and the entire F&C saga kinda dies after this one. Sad to see that such  highly regarded element of the series only has two good episodes out of five, but Fionna and Cake is simply a concept that doesn’t have a ton of room to grow outside of the first episode. But, for now, I’ll enjoy the tasty remnants of this one, and prepare for the bad taste that The Prince Who Wanted Everything will eventually leave me with.

Favorite line: “Wildberry, don’t pretend; I know you like the silver foxes.”

Adventure Time, Animation, Lifestyles

“Fionna and Cake” Review

Adventure Time Reviewed

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Original Airdate: September 5, 2011

Written & Storyboarded by: Adam Muto & Rebecca Sugar

A bit of background for this episode: the characters of Fionna and Cake were created by storyboard revisionist Natasha Allegri (as I’m writing this, it’s actually her birthday. Happy birthday, Natasha!). Allegri put the characters in several different humorous comic strips, and Pendleton Ward liked ‘em so much he said, “fuck it, why not make a whole episode around these two characters?”

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That’s where Fionna and Cake comes in, the show’s first big experimental challenge. The thing about Fionna and Cake as characters is that it would’ve been so easy to just make them carbon copies of Finn and Jake. Adam Muto and Rebecca Sugar took it one step beyond that. Fionna and Cake become fully defined characters in the course of 11 minutes, and the Land of Aaa feels like its own entirely realized world, despite it being fictitious. That’s what works so greatly about Fionna and Cake; it is just like fanfiction, and can take characters, relationships, areas, and so on wherever it pleases. This episode is pure, illuminating enticement, from brilliantly using characters we all know and love and slightly altering them to giving us a legitimately well devised plot that would work entirely in a standard episode of the show.

As I mentioned, Fionna and Cake themselves are gender swaps of Finn and Jake that take on almost entirely different roles, but still retain attributes of the boys that inspired their creation. Fionna is very independent and even more mature than Finn, but maintains her love of adventure and excitement. This also works with her gender swap as well: she’s much less interested in what society stereotypes in terms of how women should be portrayed and more interested in what she loves to do, that being swinging swords and fighting bad guys. In addition, Cake’s possibly the most defined of the Fionna and Cake cast, and the most different from her male counterpart. Cake’s loyalty to Fionna and her relationship advice pose similarities to Jake, but she’s much more outspoken, sassy, and spunky. When it comes to others, there are minor differences, Gumball’s very proper demeanor and Ice Queen’s downright villainous persona, but part of the fun is just the way the two main leads work off of these characters. This episode captures pretty much all the AT typicalities: Fionna’s crush on Gumball, Ice Queen’s desire to marry Gumball, Cake and Lord Monochromicorn’s interest in each other (there’s an exclusive vinyl of the two that I’d give anything to have, but alas, I am a broke college student), and so on.

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What really works beyond anything else in this episode is just how naturally it flows. A lot of the time with experimental episodes of television, I find myself in a brief moment of disbelief, no matter how good said episode might be, of whether it connects to the world of the series enough or has a chance of succeeding by pushing the boundaries so drastically. Right off the bat, Fionna and Cake takes you right into the action. It doesn’t take the time to introduce individually to everyone because, as I continuously mention, we already know these characters in a way. The idea that we’re able to so easily adjust to something that’s so wildly different, yet exactly the same, from the standard episode of Adventure Time is so delightfully pleasurable and only helps the viewer enjoy every bit of the journey a little bit more.

Aside from that, it’s just generally a really fun episode. There’s plenty of great jokes, primarily from Cake (love the bit with her and Monochromicorn out of breath). The song Gumball sings to Fionna is a catchy and sweet homage to Aladdin that gives the entire episode a big, sweeping cinematic feel. And, as I mentioned, just the general interactions between the characters. I really love the honesty of Fionna during her time with Gumball (“dude, that was like, the stupidest thing ever”) and just the fun of seeing all of the various gender swaps. A character like Marshall Lee, who became so popular off of less than five seconds of screen time, shows how enjoyable it is to be able to see pre-existing characters who you still don’t know a single thing about. They can be anything you want them to be in that sense, and you’re able to allow the mind to create whatever canon you please. Although, I think Lady Cinnamon Bun deserves more love. Was her inaudible dialogue with Gumball simply not enough? Also fitting is the addition of Gingerbread Rebecca taking Gingerbread Muto’s spot in the opening theme, especially considering the two worked together on the episode. Even little things, like the lack of change for BMO and Ice Queen’s penguins, are really nice touches that are so subtle that they may be overlooked.

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The scene when faux Gumball brings her to his room is straight out of a horror movie, even dealing with the uncertainty of Fionna when it comes to intimacy. Finn is awkward and hesitant when it comes to his relationship with the Princess, but I always believe his reaction would be slightly different in this scenario. Maybe I’m just reading way too much into a brief moment, but I really think that Finn would look at this instance with shyness, but acceptance, whereas Fionna expresses briefly that she’s most likely uncomfortable.

Of course, she’s made even more uncomfortable when Gumball is revealed to be the Ice Queen. This whole sequence is some of the best animation in the entire series. It’s a thrilling battle between good and evil, equipped with just the right balance between the two that Ice Queen actually comes across as a threatening villain. It’s slick, smooth, and flowing, right down to the moment when Fionna smashes Ice Queen’s head in with her frozen hands. Once defeated, the scene when Cake runs in and attacks Gumball when she see’s Fionna’s ripped dress is another moment of significance. I could totally see Jake walking in and acting like Finn’s weird uncle and just giving him a simple thumbs up or a wink, but the gender swap allows for some interesting views of cultural differences that apply to our real world as well.

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Finally, the ending reveal that the entire episode was a mere story from Ice King’s fanfiction. This pissed a lot of people off, but honestly, that makes it all the more interesting to me. Not only that Ice King wrote a surprisingly coherent piece of work outside of the ending, but it’s just really fascinating to view the entire story from Ice King’s perspective. His depictions of the characters are especially intriguing, right down to the fact that he wrote Ice Queen as a straight up villain. It almost makes you wonder if he believes this of himself, and Fionna’s line of “be careful! You might catch her crazy!” makes me question if deep down, Ice King subconsciously does know truths about himself that he wouldn’t consciously realize otherwise. There’s also the really creepy notion that Fionna is kissing Ice King in the cover, so I don’t know what to make of that, besides the more endearing version that Ice King simply likes the idea of Finn and Jake worshiping himself, rather than resenting him. That’s the fun part with future Fionna and Cake episodes. They are all told from a certain person’s perception (albeit the most recent one) and it leaves more room for analysis and allows us to unintentionally explore the author’s psyche.

All in all, I really love this one. It takes full advantage of the opportunity at hand, and goes one step beyond by giving us one of the most beautifully crafted episodes to date. This is truly my favorite of the Fionna and Cake saga. There are a couple of other goodies, but I think this one particularly crafted so much from so little. It’s an episode I never truly get tired of watching. Terrific character explorations, nice animation, terrific writing, lovely music (all thanks to a sweet hammered dulcimer), and genuine fun: it’s simply Adventure Time in its truest, most passionate format.

Favorite line: “Why are y’all breathless if we’re the ones running?”