Tag: Finn

Adventure Time, Animation, Lifestyles

“Belly of the Beast” Review

Adventure Time Reviewed

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Original Airdate: April 4, 2011

Written & Storyboarded by: Kent Osborne & Somvilay Xayaphone

Belly of the Beast poses an interesting argument: is it better to remain ignorant or aware of your surroundings? With the many scary possibilities and dangers in the world around us, many would argue that it is better to ignore the world around you and just live your everyday life. AT delivers this with ambiguous results when Finn and Jake try and save a group of bears who love to party in a monster’s belly, but risk being converted into feces. The series leans more towards Finn and Jake’s understanding of the situation, but also does so without making the other side look like a bunch of idiots. Finn and Jake may be trying to help these people, but at the same time, the bears are just trying to live life and make a party out of it. And there ain’t no party like a beast’s belly party!

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One of the bears they do meet along the way is Party Pat, who is voiced by Andy Samberg and, as Pendleton Ward claims, “is basically Pat McHale.” Party Pat’s a delightfully odd central character for this episode; he seems like a really chill dude, but at the same time, I feel as though he could drug someone’s red solo cup at any given point. Samberg gives Pat that ominous and enigmatic feel, and he’s almost unrecognizable as this character. Why they wanted Samberg specifically for this role, I’m not sure. But hey, he does a great job, so why not? And speaking of voice roles, Jeremy Shada’s performance as Finn is hilarious in this episode. Shada has been getting more experimental and having more fun with his character as of lately, delivering some of his funniest bits of dialogue yet.

The animation in particular is really superb. I seriously have a tough time focusing on the main episode because of how many unique dance moves are being performed in the background. Ian-Jones Quartey provided a lot of the drawings of the bears in this episode, and specifically tried to make every bear’s dance routine different and have a specific cycle, which is really reflected in the final product.

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Like I mentioned above, the core of this episode is the debate of whether or not the bears should stay in the beast’s belly or not. The episode sort of takes some unusual turns in its execution, however. Although Finn and Jake help everyone to settle down through a humorously depressing song about dying food items (RIP milkshake, RIP donut) the bears ultimately decide to stay in the beast’s belly in the end. This poses a couple of plot holes: Wasn’t the original dilemma that the bears would be digested if they stayed in the monster’s stomach? Nothing has changed since they decided to return, so how does that resolve the central conflict? And if the beast is so concerned with having his mouth scorched by fireworks, then how is he unaffected by drinking lava?? They’re a couple of oddities that make this episode seem a bit uneven. It does help the general tone of the episode that the literal party animals would return once more to where the party all started. Although it may seem bleak for some to be living in a perilous situation, Party Pat and his crew know how to enjoy life and are able to deal with any given issue because of their lifestyle. It’s not for everyone, as Finn and Jake have displayed, but hey, when things get tough, why not party? It’s also an important trial for Finn, as he learns that he simply can’t help those who don’t want to be helped. It’s depressing to see his general disappointment in his failure to save the party crew, but he learns the hard way that he simply can’t force his beliefs onto others.

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It’s not necessarily the most structured episode plotwise, but Kent Osborne and Somvilay Xayaphone definitely has a good time with this one. It’s often reflected as one of their personal favorites of season two, and while I can’t say it’s one of my personal faves, it’s a relatively enjoyable one. It has it’s minor flaws like the ones I mentioned, and I’m not really crazy about the “night club” setting throughout the entirety (I thought they could’ve been much more creative with the contents of the beast’s body). It also has funny one-liners, silly side characters, the general annoyance of our main characters, some great songs, and a fast-paced fun environment to boot on the other hand. What more could anyone want in an early season Adventure Time episode?

Favorite line: “HELP ME! … hang these streamers!”

Adventure Time, Animation, Lifestyles

“Go With Me” Review

Adventure Time Reviewed

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Original Airdate: March 28, 2011

Written & Storyboarded by: Ako Castuera & Tom Herpich

Go With Me is Adventure Time at its purest: no big battles, no enticing adventures, no opposing villains, just engaging interactions between the characters and what makes them each so unique. Season two is certainly a lot more rounded in its humor and writing than the first season, but there are times during the second season that it can be a bit… “sitcom-y.” With some subversions, there’s a couple of different plots that feel as if they could be on any show (Blood Under the Skin, Heat Signature, Video Makers are some examples) and this episode could be included in that category. That doesn’t necessarily mean these are bad episodes, but part of the fun with AT is how unique and eccentric it can be with tackling your expectations vs. reality. However, Go With Me is a special episode that uses the characters to their very best abilities that avoids any feelings of being too generic or done-before.

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In my review of Henchman, I discussed how disappointing it is that Finn and Marceline barely interact outside of casual small talk in recent years. It’s really a shame, because if this episode is an example of anything, they are too freakin’ adorable together, and not even in a romantic sense. Obviously there is the giant age gap between the two, but I just generally enjoy watching Marceline tutor Finn on the experiences of life. Finn’s still very inexperienced with many topics, as he’s just recently entered his teen years. Marceline, however, has been around for ages. It’s really endearing to see the enjoyment Marceline has in shadowing a young companion, and the excitement Finn has in being taught how to talk to girls.

The way each character works off of each other in this episode is just splendid. Jake is still afraid of Marceline, Marceline still gets a kick out of fucking with Jake, Finn and Marceline I mentioned above, Finn and PB’s continuously awkward state, and a hint of Marceline and PB’s past history together is thrown in. I love how subtle it is as well; you really can’t gather anything from that brief bit of dialogue, but you know somethin’ is amiss. And hey, PB’s name is Bonnibel! Part of what adds to that mystery is that it’s really never revealed what Marceline’s motivation is behind helping Finn. She could legitimately want to help him score with Bonnie, but at the same time, she could also just be trying to spite the Princess. I mean, wrestling and being chased by wolves? Even Marceline, in her dark and mysterious ways, didn’t like being treated poorly by her ex-boyfriend Ash, so it’s very likely that it was all just a front to pick on PB.

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I love all of the awful advice Finn receives from Jake and Marceline and all the attempts he goes through to get PB’s attention, as well as just how far he’s willing to take it to do so. Jake and Marcy’s bickering and Finn’s general lack of experience with women is very sitcom-y, but hey, that doesn’t necessarily have to be a bad thing. I’d much rather watch these characters try to find a date for movie night than say, the cast of Full House, Saved by the Bell, or some other corny 90’s sitcom.

Like I said, it’s just really enjoyable to watch Finn and Marcy work off of each other. They’re two cool people who much rather enjoy having fun and enjoying life than feeling obligated to do what everyone else is doing. Finn learns an important life lesson in this episode: that he should follow what he wants to do rather than what society and social norms suggest. Finn probably would’ve been better off if he had just taken a blanket or duck to begin with, but hey, at least he got to spend the night with a good friend. Marceline taught him that valuable lesson, and she helped him to focus on excitement and livelihood in the end. It’s one relationship I never get tired of watching.

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Favorite line: “Naw, he just needs some spaghetti.”

 

 

Adventure Time, Animation, Lifestyles

“Mystery Train” Review

Adventure Time Reviewed

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Original Airdate: March 14, 2011

Written & Storyboarded by: Kent Osborne & Somvilay Xayaphone

Story arcs and plot threads aren’t exactly told in a conventional way on Adventure Time. New doors are always being opened even when others aren’t closed, and some arcs could take up to three seasons to get a proper resolution. So there isn’t necessarily one continuing story, it’s typically a handful of separate self-contained ones. That being said, the one overarching story within the world of AT is the fact that time continually progresses over the course of the series. Finn and Jake each grow older and deal with their own issues: Finn with his entrance into adolescence, and Jake with his fear of aging. It’s a very natural progression that brilliantly changes the dynamic of the Land of Ooo, as the show generally becomes much darker as Finn begins to experience the world and the deep rooted issues that come with discovery. This is Finn’s first step into his teen years, as this episode explicitly makes use of his 13th birthday as a plot device. Already he begins to deal with situations that he normally wouldn’t, and it’s a nice transition into some of the heavier trials he’ll eventually experience down the road.

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The main plot of the episode does end up taking a pretty predictable turn. It’s made pretty obvious with Jake’s actions towards the beginning of the episode that the train conductor is him or has some sort of conspiracy related to Jake. I’m pretty sure it wasn’t supposed to be such an obvious twist, but I knew where it was going from the very start. That being said, there are a lot of silly scenes that help add some flavor to Mystery Train. John DiMaggio does a particularly great job as the train conductor; even if I found it predictable that Jake ended up being the conductor, I barely even noticed DiMaggio’s voice and could’ve even guessed that it was a different voice actor. He has such terrific range that he can easily mask his voice without drastically changing it. Some of the interactions between the Candy People are quite humorous, such as Candy Cane Guy repeatedly hitting Colonel Candy Corn in the face, as well as Kent Osborne playing Dr. Donut.

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Finn experiences one of his first big traumas when he believes Jake has been killed, and it’s a relatively emotional scene despite the fact that we all clearly know that Jake isn’t dead. It’s actually kind of fucked up when you think about it. Jake made Finn believe that he had actually been killed on Finn’s birthday. Happy birthday, Finn? A symbolic expression of Finn’s aging is the introduction of the root sword, his newest weapon of choice. All of Finn’s main swords are a great representation of his aging process, and can also attribute to his developmental growth. The root sword is a bit grittier and more complicated looking than his golden sword, and both of those aspects begin to form into his personality. This is also metaphorically the first time Finn “has wood”, which isn’t so much of an observation as much as it is an excuse for me to make an unnecessary innuendo.

Finn uses this sword to battle the conductor in what is a pretty decent action sequence. There’s some really well animated shots of the train, even incorporating CGI outside of the caboose. To my knowledge, this is the first time the series utilizes computer generated effects, and it doesn’t feel out of place at all; it really helps the episode feel more cinematic and makes the fight sequence pack more of a punch. Of course, Jake eventually reveals himself to Finn and the two celebrate with all of their friends… except for Princess Bubblegum… or Marceline… or BMO… or LSP… where are they at??

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What’s most effective about this episode is the ending reveal that Finn and Jake could’ve easily died on the train, which only adds to what I was saying about Finn’s entrance into adolescence. From here on, Finn will begin to experience many traumas, tribulations, challenges, and large amounts of identity building throughout his teen years.

Favorite line: “Climb aboard my train, little boy. You’re my new friend!”

 

Adventure Time, Animation, Lifestyles

“Susan Strong” Review

Adventure Time Reviewed

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Original Airdate: March 7, 2011

Written & Storyboarded by: Rebecca Sugar & Adam Muto

Finn “the Human” has been nothing more but a descriptive title for the first handful of episodes. Upon first watching up to this point as a thirteen-year-old, I didn’t quite yet grasp the connections to the apocalypse and lack humans within the world of Ooo. Her Parents alludes to the idea that humans are of a rare species, but still treated the topic as if it was simply brushing it off. Susan Strong, on the other hand, is the first direct mention that Finn is indeed the last known remaining human in Ooo. Finn is certainly the easiest for the audience to connect to, as he is the only major human character, and while we are able to easily relate to him, his lack of understanding of his own culture is what causes him great uncertainty and a difficulty to be able to connect with the world Ooo.

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Of course, Finn has a terrific support system of friends and family, but the idea of never knowing his own heritage or culture surely must be a burden for him. So when Finn comes across a tribe of alleged humans, it’s no doubt that he’s ecstatic to be able to make that connection with his own kind, especially a bystander he appropriately names “Susan Strong.” Susan’s broken dialogue (which the AT staff has deemed “Somvilayism”) can be a bit grating at times, but her introduction as a character is pretty adorable. She’s reacting practically how anyone who is just discovering the world would act, much like a baby, and just enjoying every second of it. Or being afraid, which is a perfectly natural (and sometimes hilarious) reaction too.

Speaking of adorable, every scene building on the friendship between Finn and Susan is just delightful. Both are so extremely excited to be around each other: Susan discovering the Land of Ooo and Finn discovering one of his own kind. It’s really heartwarming to see the two of them being able to feel so high with each other only through a short period of time. And yes, the scenes with Finn teaching Susan about how the world works go by very, very fast, but the strong friendship (no pun intended) between both of them is still perfectly believable. They’re both going through very exciting first experiences, and they luckily get to share those experiences together, which Finn sings about in the song “Susan Strong.”

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The general look of this episode is gorgeous. The colors really help bring out the vibrancy in each character; the shadows underground, the sunset in the woods, and the nighttime skies in the Candy Kingdom all blend with the color palettes of our main characters, causing them look really fluid with their surroundings. In addition, the animation is especially really good in this episode! Rebecca Sugar definitely adds much detail to her drawings while going through the storyboard process, which shows by how smoothly and flowing each character moves, specifically during the song sequence.

Of course, Finn’s fun with his human friends doesn’t last however, as Susan proves that she isn’t educated enough to be welcomed into the Candy Kingdom. On a side note, one thing that doesn’t necessarily add up with continuity is Princess Bubblegum’s general lack of defense against the Hyoomens. I realized this from a comment on the episode I saw recently, and it actually has me scratching my head a bit. Where are the Gumball Guardians, or even the Banana Guards? I have a hard time believing she’s that unprepared to protect her kingdom from possibly being eaten. The only hypotheses I can come up with are: 1. She wants her people to attempt to defend themselves. 2. If the Candy People were actually eaten, PB could always just clone new ones. 3. She didn’t want to hurt Finn’s people. The first one doesn’t hold much water the second one seems a little dark even for Bubs, and the third one still seems a bit phony but that’s the only conclusion I can come up with. It just seems to distance itself with what we’ve learned about the Princess over the years.

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Aside from that minor issue, the reveal that the sewer people weren’t actually human is certainly one of the weightier moments in the first two seasons, and it’s generally heartbreaking that Finn solemnly asks Susan who/what she really is. It’s sad stuff; Finn finally had someone as closely related to him as possible, but remains alone at the end, as he began in the beginning of the episode. But, as Jake profoundly tells him, “we’re all wild animals, brother,” Finn replies “I guess we are… brother.” Perhaps Finn did lose the closest thing to a relative that he has, but on the bright side, he still has a brother, and as Adventure Time has proved time and time again, that just might be enough.

Favorite line: “Grass can’t hurt you!” (Primarily for the irony)

Adventure Time, Animation, Lifestyles

“Death in Bloom” Review

Adventure Time Reviewed

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Original Airdate: February 28, 2011

Written & Storyboarded by: Cole Sanchez & Jesse Moynihan

Death in Bloom is Adventure Time at its funniest: great site gags, good writing and pacing, bizarreness, a pinch of toilet humor, and great chemistry between our main duo and the characters that surround them. I often don’t think of AT as a comedy; of course, good humor is a crucial aspect of the series, but I much more consider it as whimsical fantasy rather than straight-forward comical. An episode like this, however, reminds me of just how funny the show can be, as well as how successful that can make it.

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Really great sounding compositions from Casey James Basichis and Tim Kiefer in this episode, especially during the montage sequence.

First of all, the premise is great. The concept is very Regular Show in the sense that our two main heroes screw something up and have to get it fixed through very unusual and outlandish methods. No complaints there though, it’s actually a premise I enjoy watching. It also helps that the plot doesn’t dumb down Finn or Jake at all. Sure, they put donuts and pizza in a plant and poured soda in its bulbs, but Finn and Jake weren’t meant to take care of a plant. They’re meant to slay dragons and save princesses and shit, and that’s proven when they aimlessly travel to the Underworld via Peppermint Butler.

I mentioned in my review of The Real You that Finn’s infatuation with Princess Bubblegum can serve to bring out his bigger character flaws, and while it’s a bit more subtle, it’s shown here as well. Finn is so worried about disappointing PB that he’s willing to travel to the literal Land of the Dead. For a plant. It’s both humorous and heroic, showing his deep dedication to serve Bonnibel in every single way possible, even if it’s something a simple as taking care of some flowers.

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The Land of the Dead is a fascinatingly dark landscape for our heroes to explore. Most of it was designed by Ghostshrimp and Chris Tsirgiotis, who give the Underworld a specifically ominous and dismal feeling, despite its residents being pretty quirky and easily defeated. There’s some really terrific shots, between the beautifully fast pan when Finn and Jake first enter and the strong details on Death’s garden, as well as his actual facial expressions.

Death himself is such a strong presence in this episode. His design is terrific, and Miguel Ferrer’s (God rest his soul) intimidating, yet honest voice are what really give life (metaphorically) to his character. Of course, our two main boys are really what make this a top tier episode. Their interactions are hilarious, from Jake breaking wind in attempts to lighten the mood to the strange reveal of what the Morrow means to Finn’s annoyance with an amnesia-ridden Jake, it’s really just a great episode to enjoy these two immensely enjoyable characters go on a perilous quest.

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From their actions with the plant, I think the two of them have learned a lesson in responsibility. There’s also the fact that they probably lie awake at night in fear that Peppermint Butler will steal their flesh, so they’ll most likely think twice the next time they’re asked to plant-sit.

Favorite line: “I don’t know, [the Underworld] wouldn’t be so bad if there weren’t folks trying to eat our skin.”

Adventure Time, Animation, Lifestyles

“Guardians of Sunshine” Review

Adventure Time Reviewed

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Original Airdate: February 21, 2011

Written & Storyboarded by: Tom Herpich and Ako Castuera

Adventure Time has such an expansive and absurd world that a change in style can still necessarily fit with the general tone of the world on one condition: as long as the characters and environment still feel as though they are a part of the Land of Ooo. That’s why some of the upcoming guest animated episodes end up failing. While they keep the style and tone unique, the characters and environment don’t feel equivalent to the ones we’ve invested so much time and care into.

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It isn’t necessarily a traditional guest animated episode (it was actually animated in house by Jacky Ke Jiang; be sure to check out some of his other stuff, it’s terrific!), but Guardians of Sunshine takes our main duo through new dimensions and animation style while still staying true to the essence of Adventure Time. It helps that, while it is animated differently, it’s still written by series regulars Tom Herpich and Ako Castuera. Upcoming episodes like A Glitch is a Glitch and Water Park Prank feel like they’re written by people who are trying to understand the show, but just can’t quite get their grasp on it. This episode blends new styles with consistency to detail in terms of characters, giving it a better chance to succeed.

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And boy, is this one fun. Not only does it feel like a blend between vintage Atari and something of the late 90’s variety, but it captures the spirit of video games so well and so hilariously. The great little touches like the choppiness of Finn and Jake’s arms and legs, Finn’s face playing Pong, and Jake’s randomly pointy head are just so irresistibly silly. The general movement and design of the villains is so fluid and visually interesting; I especially like the way Busybee floats so smoothly and vibrantly, yet still has a blank, happy expression on its face. It makes me chuckle every time.

Adam Muto mentions in the commentary for this episode that he believes this is the first time in the series where the stakes feel high, and I could agree with that statement. Never before have Finn and Jake risked actually dying, and the tension of using up the few lives that they actually do have makes it a bit of a nail-biter. Of course, we know our heroes aren’t going to actually die, but there’s something compelling about putting characters in legitimate danger that simulates the notion that something bad really will happen. Adventure Time has pulled off that notion time and time again, but this was the first time it felt real.

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This is undeniably one of the most enjoyable episodes of the season. Plenty of terrific gags, a blend of CG to mix things up a bit, and a compelling adventure to send our two main protagonists on. If there’s one thing that brings down this episode, it’s BMO’s treatment. Man, do I feel bad for the little guy! It legitimately pains me to see all of the villains break through the side of him like that. It’s actually sort of interesting that we get to see the little console as the “only sane man” of the group. Typically BMO is prominent for his childlike innocence, but I almost sort of like seeing him in this light for a brief amount of time. I just wish Finn and Jake would feel a little sorry for what they put him through, but it’s okay. BMO’s sending their asses back to the video game world, cheat code style! 

Favorite line: “Easy-peasy, livin’ greasy!”

Adventure Time, Animation, Lifestyles

“The Real You” Review

Adventure Time Reviewed

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Original Airdate: February 14, 2011

Written & Storyboarded by: Rebecca Sugar & Adam Muto

Finn’s crush on PB is certainly endearing, but it isn’t one of the stronger points of the series. It is a crucial part of the first few seasons and it does lead to terrific tension and development as the series progresses, but the concept of the “younger boy liking an older girl” or unrequited love in general is very common in most animated series like Gravity Falls or Foster’s Home, heck, even live action shows use this trope. That’s not to say the show uses them badly, but it’s just sort of treads similar waters. The aspect that makes it a bit more interesting is that it brings out one of Finn’s major character flaws: his social awkwardness and willingness to risk anything for Bubblegum.

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I’m also not one to insinuate that a character flaw is necessarily a bad thing; it can be, but in a majority of situations, it makes the main protagonist appear more interesting. Having a character that is flawed and imperfect helps the audience to better identify with the characters and its world, and using a pre-pubescent Finn’s crush on PB is a perfect example of that. It’s easy to empathize with Finn’s deep feelings of infatuation for Bubblegum and pinpoint it as a developmentally appropriate stage of life.

That being said, Finn’s desire to become smarter to impress the princess is very enjoyable and almost works as a trip through memory lane for anyone who is Finn’s age or remembers being an awkward and quirky preteen. We’re treated to some delightfully silly gags along the way: the school of worms, Finn and Jake studying while making a beat out of their blinking, Jake shrinking down small but still drawing a face on his finger, and the return of Choose Goose! Hearing Jeff Bennett’s Hanna Barbera-esque voice as CG is always a treat, and never fails to make me laugh.

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First ever appearance of the giant crater within Earth. Awesome!

Speaking of voice acting, Jeremy Shada gives a terrific performance of Finn in this episode. He hilariously pulls off the “mad with power” inflections and overtones, and really puts everything into making his character feel as authentic as possible. It shows how great Shada is as a voice actor, and just how well he is able to follow Finn’s progressions of age and altercations. My only complaint is that we don’t get to spend more time with “smart” Finn. Finn doesn’t actually put the glasses on till about 7 minutes in, so it feels like we don’t get to enjoy his presence nearly enough. The scene with the class of worms was humorous, but it could’ve easily been substituted for some more crazy Finn.

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This episode also marks the end to one of the most recurring possessions thus far: Finn’s golden sword (a.k.a. Scarlett). Scarlett is one of the most identifiable objects in the entire series, and pretty much any promo you’ll ever see for the show has Finn wielding his golden sword. It’s only appropriate that the sword is sacrificed in this episode, however. This is the beginning of Finn’s upcoming entrance into his teenager years, and signifies the end of an era for himself. The sacrifice also showcases the honesty and truth behind Finn’s feelings for PB: he’s willing to give up one of his most prized possessions for her love. Of course, it was unintentional, but hey, smart Finn had it planned all along! Soon he will be entering more dangerous and difficult challenges, as well as further awkwardness between himself and Bubblegum.

Favorite line: “I can’t help it, man! I’m all about stupid!!”

Adventure Time, Animation, Lifestyles

“The Silent King” Review

Adventure Time Reviewed

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Original Airdate: February 7, 2011

Written & Storyboarded by: Cole Sanchez & Jesse Moynihan

The Silent King starts off by bringing the audience directly into the action without establishing characters or plot. In any other show I’d probably call it out for its lack of context, but it’s one of the many charms of Adventure Time: it can start and end on any given confusing absurdity and still feel fitting with the world and the characters in it.

And there’s no better villain to showcase this quick introduction than Xergiok, the goblin king. Right off the bat, the episode does a great job by showcasing his ludicrousy in both his actions and rapidly changing design. Seriously, Adventure Time is, for the most part, on-model in terms of character design, but Xergiok’s appearance shifts are straight out of Ren & Stimpy!

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At the center of this episode, however, is the characterization of Finn’s role as a hero. As shown through the treatment of the goblin people, Finn is certainly not a utopian ruler that allows all of his loyal subjects to wait on him. Rather, Finn just likes kicking evil’s ass and doing what he believes is morally right inside. In any other show, Finn most likely would’ve gotten power hungry and would transform into a dictator that is no better than Xergiok by the end of it, but AT has a great deal of consistency with how its characters are portrayed and what seems most in character for them. Finn’s actions just seem to come so naturally, and it’s entertaining to see him getting legitimately frustrated over Gummy trying to help him, yet only being a giant annoyance.

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The full upscale battle between Finn and Jake ala Jakesuit (its very first appearance!) vs. Xergiok and the Earclops is the type of battle we haven’t quite seen from the show until this point, and it’s extremely rewarding. It’s a fast-paced, jumpy experience with some terrifically creative means of defeating the Earclops, which are also hilariously designed, by the way. I really wish that we could get more Jakesuit battles throughout the series, because if this episode proved anything, it’s worthy of many more exciting battles.

I previously mentioned in my review of Crystals Have Power that Jesse Moynihan’s drawings looked a bit messy and flat, but the floppiness of his drawings is definitely toned down significantly in this episode and are much more similar to those you’d see in a typical episode of AT. It definitely took Moynihan some time to get into the groove of drawing the characters, but his work and learning definitely shows in this episode.

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It’s also appropriate that Finn doesn’t try to aim toward changing the perspective of the goblin people in order to fit his vision, as he’s fully willing to accept his role as a helpless king. The fact that the goblin people don’t change by the end of the episode but are still able to live in a happy environment with a non abusive ruler was very endearing and happy. Finn chooses a decision that benefits everyone involved, including himself, and is able to go on living his life as a hero: what he was truly meant to be.

I wonder what Whisper Dan is up to these days. I feel as though him and Box Prince would get along just swimmingly.

Favorite line: “I’m not gonna spank your hams!”

Adventure Time, Animation, Lifestyles

“The Pods” Review

Adventure Time Reviewed

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Original Airdate: January 31, 2011

Written & Storyboarded by: Kent Osborne & Somvilay Xayaphone

I’ve never really liked the fact that people refer to Adventure Time episodes as filler. The series follows a nonlinear storyline, and aside from the miniseries(s) and some lingering story arcs, it’s a show that consistently has a lot of “filler” episodes. I mean that in the nicest way possible too, as some of the episodes that are labeled as unimportant in regards to the continuing story are also some of the best (Thank You, All the Little People, Hall of Egress, etc.) Despite that, there are episodes that fit the description of filler that just aren’t bizarre, funny, or experimental enough to stand out on their own. The Pods fits that description.

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Again, not to say that this is an awful episode, as there’s nothing that it actually fails horribly at in a writing or animation aspect. The plot is just so simple that I could see any modern day cartoon such as Chowder or The Marvelous Misadventures of Flapjack tackling it with their own characters and little would change. Adventure Time’s willingness to be different from every show on television is really what sets it apart from every other animated series, so choosing a simplistic plot and not really bringing anything new to the table is a bit disappointing.

While the idea of the three magical beans is simplistic, it does lend itself to some intriguing possibilities, but unfortunately, the episode doesn’t really take advantage of it. For instance, do we actually ever find out whether the pigs are evil or the wands are evil? I know the pigs were involved in destroying a town, but how do we know that the wands weren’t having some kind of influence on their behavior? Even though it’s never revealed, the show doesn’t treat this as a possibility. We’re just supposed to assume it’s the pigs. I could picture an alternate scenario within this episode where Finn and Jake have to decide whether to reprimand the pigs or destroy the wands. The actual reveal doesn’t occur until there’s only two minutes left in the episode, so the timing could’ve been used much more efficiently to flesh out that idea. Or, I dunno, maybe the ice cream is evil? It is high in cholesterol.

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Besides fantastical alternate plot ideas in my head, the episode just doesn’t lend itself to many great jokes or depictions of the characters. I really feel like they could’ve went all out and just had Finn going completely insane trying to figure out which of the pods was evil and which was not. Even having Jake run off to the ice cream contest while Finn ends up going crazy watching the pods lends itself to some really funny and interesting concepts. Or somehow tying Jake’s desire to win the ice cream eating contest into the story could’ve strengthened it.

So yeah, this is a pretty mundane one, and one of the weaker season two episodes. I gotta say though, I’m a sucker for those pigs in silly costumes. They’re adorable!

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Favorite line: “Actually, I’m a Gnome Knight who was magically transformed into a frog. And then I decided to continue being a knight.”

Adventure Time, Animation, Lifestyles

“The Other Tarts” Review

Adventure Time Reviewed

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Original Airdate: January 3, 2011

Written & Storyboarded by: Tom Herpich & Ako Castuera

“This cosmic dance of bursting decadence and withheld permissions twists all our arms collectively, but if sweetness can win, and it can, then I’ll still be here tomorrow to high-five you yesterday, my friend. Peace.”

This monologue is what spawned Adventure Time’s first bit of philosophy within the series. In general, it’s one of my all time favorite moments, because it combines everything I love so dearly about this show: the weirdness, passion, and beauty of the AT world and its characters. There have been plenty of different analyses and breakdowns of this bit of dialogue, primarily the concept of the social pressures of life and how they can restrict our moral compass and own desires from doing what we truly want. For me, it’s just a bit of beautiful nonsense, but that doesn’t undermine how terrifically it’s written, visualized, and acted. That’s Stephen Root playing the part of the crazy Tart Toter, and he’d later go on to voice Finn’s deadbeat dad, but that’s far down the road.

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As for the episode itself, it’s a delightful little Finn and Jake adventure. Of course, the plot follows a predictable direction: a character tells the main protagonists not to fuck up or something bad will happen, the main protagonists fuck up, nothing bad happens. Of course, with any show, a predictable plot can be executed with just how well it’s written and the strength of the characters in focus. Finn’s determination to complete their job in regards to impressing Bubblegum is both sweet and unique. It adds an extra layer to how far Finn will go for her at this point in this series, as well as showing his desire for everything to go exactly as planned. His paranoia behind the success of his mission really shows how much he cares for PB from both a romantic and heroic standpoint. While Jake just simply is along to crack jokes and keep the atmosphere light for his friend.

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Cinnamon Bun begins to take on a bigger role in the series as of this episode (this is actually this first time he’s referred to as “half-baked”) and he’s admittedly one of the weaker secondary characters in my eyes. He’s very much in the same vein as LSP; works well in small doses, but is really only there to be dimwitted and loud. That being said, his depiction in this episode works greatly with the plot. He’s only on screen for a brief bit, and actually succeeds with his task. I really don’t like characters that are written so stupidly that they drag down the plot and only make situations worse for other characters, so it’s rewarding and somewhat endearing that Finn and Jake’s original distrust in CB had them proven wrong.

This is just simply a charming episode; lovely characterizations of Finn, Jake, PB, among others and all of their quirky flaws that make them so interesting. Not to mention the classic bizarre side characters each episode has to offer, such as the hostile butterfly and JJ the robot (apparently Tom Herpich has some weird fascination with the letter “j”). The Tart Toter himself is beautifully drawn and so well acted that he feels like such a large presence on the show itself, despite it being his only speaking appearance. I love the random details of his design, from the oozing icing in his mouth to the birds quite randomly strapped to his limbs. Of course, I could listen to the Tart Toter’s monologue all day long. It’s a brief 30 seconds of everything that makes Adventure Time so special.

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Favorite line: ^ See above.