Tag: Finn

Adventure Time, Animation

“The Crocodile Who Bit A Log” Review

Adventure Time Reviewed

Original Airdate: October 30, 2025

Written & Storyboarded by: Iggy Craig, Graham Falk, Monica Ray & Jackie Files

Huntress Wizard has certainly had quite the journey in the AT world. Existing merely as a background character for the first six years of the show’s run, HW was able to thrust herself into relevancy based on her gnarly design alone. But even with her increased role in the series, Huntress Wizard’s personality and motives have never really been explored, which has been somewhat intentional. Adam Muto himself talks about this in a recent interview, stating that it was risky to flesh out a character that was primarily known and loved for being mysterious. I’d be lying if I said I wasn’t also cautious about this, especially when it comes to a character that was mostly elaborated on purely as a result of fanservice. That’s not necessarily a knock at HW, as I quite liked her role in the original series. But that’s because she was such a bit character that really only showed up ever so often, and even in her brief appearances, we never truly got what she was all about. The Crocodile Who Bit A Log feels like it’s slowly setting up for parts of that mystery to be unraveled, but does so through a subdued backstory that is quite eloquently executed.


There’s basically three sections of this episode, so instead of going through it frame-by-frame like I did last week, I’m gonna talk about each individually. First is the Huntress Wizard stuff, which was easily my favorite segment of the episode. Graham Falk cooked with the cold open – man, is it gorgeous! Falk has been in the industry the longest out of anyone, so any time he’s able to really flourish through individual segments (like the silent movie dimension from Prismo the Wishmaster) it really shows how much of a seasoned veteran he is. The backgrounds, complemented by rough, inconsistent pen lines and messy paints strokes, are absolutely boasting with beautiful colors. When it comes to the visual look of the current series, it’s been tougher in the show’s recent years to actually pinpoint which artist worked on which portion of the episode. There’s a number of possible reasons for this; with directors more at the forefront this series than prior (which is as good a time as ever to mention that Cole Sanchez is back, after several years being absent from the franchise), it’s possible cleanup and revisions end up homogenizing a lot of shots from their individual essence. There’s also a new overseas studio for this season, brought to my attention by fellow commentator Digamma-F-Wau, which could be contributing the same level of wash out. There’s also the possibility that I’m just off my game and the individual touch still is in tact, but there are bits in this one that feel like they may have been squandered in the final product (i.e. when Cake reacts shocked to the cooking materials nearly falling, that’s clearly a Falk shot. But I’d be interested in seeing the actual storyboard, because it feels a bit more stilted in execution). All that is to say, I’m glad to see how much Falk’s touch absolutely erupts during the opening, continuing to spotlight AT‘s unique talents in the best possible way.

Huntress Wizard’s journey to become part of the forest is meditative and wonderfully paced, showcasing her commitment, but initial struggle, to adopt zen in the roughness of the wilderness. She’s accompanied by Spirit Dream Warrior, who evidently she never had a romantic past with, and served more as a guru to her through her journey into wizardry. Once she becomes apart of the green wizard society, HW chooses the path of isolation instead of being connected to her new groupies. I’m wondering if we’ll get more of a backstory on what led HW down this path, but I’d also be okay if this is just some kind of intrinsic desire HW has to do things as a lone wolf without any type of community on her side. When she reaches the “Heart” of the Forest, we treated to a fun bit of back-and-forth between her and Witch Wizard. The show additionally continues to not give any clear answers on HW and Finn’s relationship, with HW hesitating to find a way to address him, which I like. I originally kind of went in to this season thinking they were more on the casual side, remaining friends but having moments of intimacy every now and then. Her reaction here, and later her dream sequence with Finn, make it seem like Finn really likes her, while she’s hesitant to be true to her deeper feelings. This is easily connected to her behavior in Flute Spell, and while some of that denial toward larger connections seems to have been shed by her next major appearance in The Wild Hunt, it doesn’t appear to have opened up any type of larger shift in her consciousness.


Granted, I’m sure there’s a lot we’re not seeing behind the scenes. I would imagine HW had a large role in helping Finn after the passing of Jake, and Finn’s connectedness to the forest implies that they have spent a lot of time together. I think there is a difference between Huntress Wizard having these moments of intimacy and actually acknowledging them as they are, or even just opening herself up to the perception of others. Regardless, her drive to do things her way come to a roadblock when Witch Wizard opposes her, leading to a really great fight sequence. The build up, the animation, camera angles, transformations, and great bit of score to boot. Continuing to give her credit where credit is due, Amanda Jones has been knocking it out of the park season with stellar music cues, accenting the high stakes battle between the wizards perfectly (also I’ll note before I forget, Jones brought back Kheirosiphon’s theme when he reappears! Nice touch). Outside of the opening, the forest bits provide the most visual flair for the episode, with the revelation of the “Hart” of the Forest being yet another highlight. This is once again a pretty direct reference to Princess Mononoke, which miiiight be slightly derivative? But regardless, I love the design and the way it thrashes, breaks apart, and eventually absorbs into itself provides for a uniquely exciting excerpt that comes to a screaming halt when Huntress Wizard fucking explodes. AT has been doing a really good job at not letting their current rating impact how gratuitous some scenes could be. I’m sure you could make Huntress’s body parts separating from her even more graphic, but it really wouldn’t feel like Adventure Time if they made it especially gruesome. It feels like it would be a little silly in execution, and it is, but in a way that is true to this franchise. For any seasoned viewer, it’s still impactful and devastating in a way that really only works within the tone of Adventure Time.

Within the Hart/Heart of the Forest, we get the aforementioned heartbreaking dream with Finn, reassuring Huntress Wizard that he’ll never forget her. It’s probably my favorite moment in the episode, doing so much with so little, and speaking to both of these characters and how differently they feel and express their emotions. HW’s body breaks up into individual segments that disperse throughout the multiverse as seeds of her essence. They end up in the following locations: Farmworld, Vampire World, the Baby World and then a gaggle of other dimensions that don’t immediately register in my brain as locations we’ve seen before. I thought the one from space might be the Drift, but nah, the specific background here doesn’t match anything from BMO. I’m just gonna assume we haven’t seen these locations before and then wait until someone makes the connection and makes me feel very stupid. The mystics that this scene plays around with are great; Huntress playing around with the various portals and being overwhelmed with the sounds feel true to her process of essentially being reborn.


With her hand cut off early in the episode and used as a sacrifice for the Heart, it seems like HW’s spirit is capable of living on beyond her physical body because of her connection to this magic. Or maybe, Huntress Wizard is dead, but her spirit lives on to incarnate at pretty much any time she’s separated from it. This seems consistent with Witch Wizard, who was practically murdered by Finn last season, but still maintains a physical body (possibly connecting to HW noticing her new “fit”?) The birth process is painful, and HW struggles within the overwhelming possibilities of choice at her very fingertips (with a foreboding rain of blood drops backing her). She returns to her meditative state, questions the possibilities of the world, and trusts in the universe that her choice is ultimately where growth will lie for her. It’s really nice that they got Sean Rohani to do voiceover within the spirit realm. It was great knowing that Kumail Nanjiani was coming back this season to reprise Prismo, but I was a bit bummed for Rohani since he did a great job of picking up for Prismo last season. Glad to know that he still has a role in the series, even if it will be considerably smaller. Thankfully, HW does NOT choose to find a new host body within Baby Cinnamon Bun’s mouth, and begins her growth within Fionna-World.

Over in Fionna-World, we rejoin the gang as they attempt to reclaim Gary’s new business venture. I really wanted to go into this season being more positive about the Fionna and Cake stuff, but honestly, mostly everything in Fionna-World does very little for me this time around. I just simply don’t really care about what happens in the individual lives of these characters. Gary and Marshall served as great stand-ins last season to show how PB and Marceline’s connection exists in all corners of the universe, but I’m less invested this time around, and I honestly do think that has something to do with the performances. I went from being neutral to both replacements to really not liking them this time around, with Marshall’s delivery falling a bit flat and Gary’s inflections feeling far too cartoonishly peppy. Watching these characters deal with what feels like generic sitcom fodder just isn’t doing it for me. And don’t get me wrong, the show is aware of this – Muto has said that this version of their world is very much an idealized 90’s sitcom world. But so far I don’t think they’re playing with those tropes enough or in an especially comedic way to make me feel like it’s more than just a bit of fodder between the real meat of the episode. I feel like looping in Cheers as a way to allude to this is very quickly starting to overstay its welcome – we get it, Fionna and Cake live in a sitcom! We don’t need Pendleton Ward to do his Norm impression every single episode!

I like some of the jokes we’re treated to, like the return of PepTank and his triumph in getting a night out to himself. I like how Hanna Abadeer apparently has spies out on Marshall, as seen with one hiding out when they’re at the bar. And we get female Dirt Beer Guy, aptly named Ruby! I am only so strong when it comes to these additional character cameos. I’m additionally a little bit confused about Fionna’s continued anxiety developing, as it initially seemed to stem from her desire to help those around her in fear of acting selfishly as she once did, but now it seems to derive more from her fear of being alone? Not to say those both can’t factor into each other, but I think it’s maybe emphasized a bit too much towards the end. I think they’re clearly trying to contrast HW’s desire to be alone with Fionna’s fear of being alone, similar to how Simon and Fionna’s arcs both played into each other last season, but I’m not sure it needed to be this direct. Did they really need to include Fionna projecting her own fear of abandonment while someone is withering away on the other phone line? It just didn’t feel natural to me and I feel like her arc doesn’t need to be defined so vocally.


The stuff in Ooo takes up the smallest segment of the episode, but probably provides for the funniest scenes. I love some classic Banana Guard stupidity, and even though John DiMaggio sadly does not reprise his role as one of them, Andy Merill does a great job stepping in. There’s additionally fun shenanigans with the Wiz kids and Pep being a little shit, as always. The voice acting from both Tom Kenny and Hynden Walch is great, they really sell the more dire and serious tones of Finn’s condition. We know nothing’s going to happen to him, as indicated by Together Again and the trailers alone. But that doesn’t mean this isn’t serious for those close to him, and the episode does a good job at communicating this.

Overall, I really like this one! Or parts of it, at least. Everything with Huntress Wizard is great, and I don’t even really say that as someone nostalgia starved to just see the OG cast members do their thing – I didn’t really have any particular fondness for this character in the original show. I just think that objectively everything going on with HW is miles better than anything happening in the subplot, though maybe I’m alone with this. Everything I’ve seen so far seems to be equally beloved no matter what the focus is, so I apologize if I’m being a stick in the mud to anyone who really is invested in the Fionna-World stuff and wants me to talk more about it. There’s a good chance that, as the season keeps progressing, the stuff with Huntress Wizard will incorporate more into the Fionna-World stuff and ramp things up to make them a bit more interesting. But as is, I just don’t think these breaks in the momentum really work, and I’m hoping that this season can turn around the elements that aren’t really working for me personally. But I can only bitch so much, as the HW segments are really, really good. For as many qualms as I have, it’s great to see the show can continue to expand upon tertiary characters in such unique and interesting ways.

This week’s artist shoutout goes to Monica (Monty) Ray, the newest addition to the AT board crew! Ray has worked on several shows including Big City Greens, and has done a handful of voices on other popular cartoons, like Harvey Beaks and Glitch Techs. Monty’s portfolio includes a lot of funky streetwear, and I implore you to check it out here!

Favorite line: “For a deity, he kinda stuck-up.”

Adventure Time, Animation

“The Hare and the Sprout” Review

Adventure Time Reviewed

Original Airdate: October 23, 2025

Written & Storyboarded by: Hanna K. Nyström, Kris Mukai, Maya Petersen & Charmaine Verhagen

We are back once again, babies!! Let’s go over the ground rules for this batch: since episodes are airing weekly (something that I’m personally very excited about) I’m going to at least try to churn out a weekly review coinciding with the most recent episode. Granted, there’s no promises with this, one because there’s a very good chance that I’ll lose steam down the line and need a break so that I can have the proper energy to write up something half-decent. Second, some episodes last season definitely benefited from taking time to sit with; I think the reviews for Prismo the Wishmaster and Cheers would’ve looked a little different had I not taken the time to chew on them a little. So, we’ll see as we go. As always, a quick thank you to everyone old and new who continue to support the blog! I deeply appreciate your loyalty, and I hope I can continue to offer something insightful and fun in return.

We kick things off with Astrid retelling the tales of last season, and surprisingly it looks like we’re kicking things off pretty much right where they left off, or at least within a few weeks to a month. Love the beautiful watercolor and colored pencil artwork we’re treated to, painted and drawn by Ala Flora. So nice to see my friends Simon, PB, and Marceline again, and Simon’s living with Marcy now! I like to imagine it was offered by Marceline when Simon mentioned he was looking for another place to stay – kind of like a daughter looking after her elderly father, very sweet. Because he’s an easy target, I also like to imagine him interrupting any moments of intimacy between the girls with some nerd shit that only he cares about. I love that dweeb.


We’re welcomed back to our main protagonist shortly after, where we get a bit of tweened animation of Fionna stretching in her bed (begging the gods that this show never gets demoted to fully rigged animation). A genderswapped Betty is teased by the announcer, which I’m interested to see if those implications mean anything in the grand scheme of things. Love to see that they once again cannot stray too far from the snail cameos, as we get a real snail traveling across Fionna’s TV stand, with the addition of the umpteenth Cheers appearance in the series. Though, it doesn’t last long, as Fionna quickly flips through some other 90’s dreck before landing on a fantasy program. Cheers was Simon’s escapist fantasy of a world that was simple and made sense, whereas Fionna still leans toward sensationalist and exciting sensibilities, away from the mundane responsibilities of everyday life. I’ve complained about not being super interested in Fionna in the past, but this does feel relatable. I’m pushing 30 now, which is the same age range these characters are supposed to be in, and here I am writing a blog on a fantasy show that I’m invested in far more than the drudgery of working a 9-5 job day in and day out. Adventure Time really has succeeded at placing you in the shoes of the main character and watching them guide through life in a way that never seems any less confusing. That relatability is always balanced out with something equally fantastical, and while Fionna’s world is far more urban than Ooo, we do now have the addition of a magical cat living in her own apartment right next door. Complete with the first obligatory bacon pancakes reference in this series (hot dog waffles) which admittedly I didn’t even catch the first time around.

New intro this season! I like it, for the most part. As always, it’s great to see the SmallBu team back at it again with very bouncy, vibrant animation. The anime allusions feel slightly jarring, but its an aesthetic that F&C have played around with since their introduction into the original series. The intro additionally doesn’t really feel like Adventure Time – the music and the lack of an introductory long pan feel like a deliberate stray from what we’re accustomed to seeing. I’m kind of all for Fionna & Cake branching out and adopting its own style this way. After 10+ years of alternative intros that have used the original title sequence as a reference point, it’s refreshing to get something quite different in taste. Although, I will say, I liked the music that accompanied last season’s intro far better. I don’t think it’s a very compelling beat and I don’t think it really aids the visuals that successfully either. I almost wish they repurposed the initial score and made new visuals to go around it – but I guess in true anime style, they wanted to start this one from the ground up. Apparently, a good bit of the intro is referencing Revolutionary Girl Utena, an anime I’ve never seen but I am interested in checking it out. I’ll reserve comments about the little bits of foreshadowing for character arcs and relationships sprinkled in until they actually come into fruition within the season.


Glad to see most of the returning players from last season back again in the title card sequence. Michael DeForge’s title cards are better than ever, complete with little iterations of Fionna and Huntress Wizard in both corners. Also, Kris Mukai is back once again! Mukai worked on a few episodes during the course of season 7, including Varmints, Mama Said, and Five Short Tables. Her style is immediately recognizable in the first chunk after the intro through the bakery store sequence (at least, I’m pretty positive it’s Mukai – I’ve only gotten worse at this with time!) with the eyes a lot closer together, accented by several lines and curvy expressions. Also cool that Turtle Prince’s human counterpart is featured in this scene, as she helped bring him to life in Five Short Tables. Also returning after a bit of absence is Chermaine Verhagen, who previously co-boarded Wheels, and had contributed a lot of bit parts and visual development to the show throughout the years. I’ll definitely need more time pinpointing her individual contributions to this episode – gonna take some time to analyze outside of this review so I can better recognize her drawings moving forward.

Funny to see some of the new iterations of characters, like a female version of Buck Pudding, everyone’s favorite side character. I guess who else would they have as the store manager of Home Depot? I’m also pretty sure that the child in the bus is just a male version of Astrid, so it’s additionally very comical that we now have alternative versions of NEW characters introduced in the series. It’s also driving me crazy – I have no idea who the yellowish person on the bus is supposed to be, if anyone. I’ve been looking at characters on the wiki for almost an hour and cannot identify who this character is alluding to – I’m just gonna open it up for someone in the comments to make me look like a total idiot.

Returning players like Queenie and M-Cron are a pleasure to see too. It’s been a while since we’ve had any Lady rep in the series, so I’m glad to see M-Cron getting a bit more focus, with Cake being absolutely infatuated with him. I’m curious as to where this is heading, which is something I’ll probably be saying a lot in these first few episodes. I do like all of the allusions to fairytales that have been coming into play within the episode thus far: the introduction with Astrid’s “happily-ever-after” story, the naming convention of The Hare and the Sprout, Cake’s cross-species romance, Fionna’s increasing interest in fantasy, the anime-like opening, the focus on mystics in Huntress Wizard’s segments, etc. I wouldn’t be surprised if the entire season largely worked as a deconstruction of fairytale tropes, or at the very least, used them as a thematic stepping point to explore ideas about how these characters view their goals and expectations. In the best case scenario, it’ll work similar to the multiverse concept in season one where they allow themselves to have a decent bit of fun with the genre without getting too lost in clichés. Also, the onslaught of new genderbent character introductions is certainly a bit gratuitous at this point, but I’d be lying if I said I wasn’t slightly enamored with seeing how far they’re willing to take it. Madam Slicer was not on my bingo card for this season.


Simon opening his call to Fionna with “hey, girl!” was irresistibly sweet. It really is a testament to the previous season’s strength that he has become such a beloved presence in the series, after mainly being a gimmick for storytelling purposes in the original series. His awkwardness around PB is additionally hilarious, because I totally think he’s overthinking the kidnapping element and I think PB struggling with her own demeanor is just kind of how she is. Though, I also wouldn’t be shocked if she’s still petty over being called an assistant way back in Broke His Crown. Simon in general seems a lot more well-adjusted after the events of last season than Fionna does, which I’d imagine is a direct result of having several stand-in daughter figures and an outlet for his interest in magic. I was totally prepared for the scene with Simon at the solo tombstone to be heartbreaking, but having it be Choose Goose probably provided the biggest laugh of the episode for me. Not only does this sudden obsession with him since Distant Lands continue onward, but I’ll additionally never understand the absolute vitriol for him that the staff feels. He somewhat unknowingly became possessed after the events of Wizard City, was used and tortured by Simon in the first season, and now is dead with a tasteless rhyme on his graveyard, seemingly rotting in Hell as seen in Together Again. It’s kind of hilarious.

We get our first bits of Huntress Wizard soon after, and I guess this is as good a time as any to talk about the voice actor changes. There’s quite a few recasts this season, which AT is usually no stranger to when it comes to casting celebrities generally outside of the animation industry. This season sees the recast of Huntress Wizard, Gary, and Marshall Lee. It’s always disappointing to see, but none that I feel too strongly about; Jenny Slate is definitely the biggest loss, given that she’s played the character most consistently out of the bunch, but Ashly Burch has been a great presence up to this point in the series and I’m pretty confident she can do this character justice through her work. Donald Glover has been with the series the longest of the three, so losing him is a shame, though understandable because he’s reportedly been struggling with his health behind-the-scenes. As for Gary, it’s just kind of hilarious to me that this character cannot find a voice that sticks. I do wonder what the nature of needing to recast so many of these actors is – the animation industry isn’t exactly thriving right now, so I wonder if it ultimately ended up being that there wasn’t enough incentive to return to the series. In this article, Adam Muto mostly alludes to this being a result of scheduling conflicts, but c’mon, Andrew Rannells can’t show up a few times to voice the gay gum lad?? I guess scheduling conflicts could involve a whole plethora of issues, including travel time, personal matters, and full-time commitments, so I can’t really judge without knowing the whole scope of why they chose not to return.


Anywho, back to the meat. The Vampire King lion was additionally not on my bingo card, and it’s interesting to see him play a bit of a supportive role to Finn, who is in considerable peril. I think Amanda Jones as a composer has gotten progressively stronger from when she first started with the series, as I quite liked the score throughout this episode, especially during the scenes where HW is following the lion to her home. As I mentioned, I think the general sounds complimenting scenes aren’t as odd or experimental as they used to be, but I think think the adventurous, tense stings that accent certain scenes do assist the general tone and scope of the series becoming much more grand. It’s great to see Finn again, even though he largely plays second banana to just about every other character in the episode. It seems his role will mostly be a catalyst for the mission of other characters, namely HW, but I do hope we get some Finn love this season. After seeing him largely repressed and injured a good portion of the recent projects, I’d love to see a brief moment of reprieve for him by the season’s end. At least he’s still having freaky dreams, as indicated by the illusory Huntress Wizard feeding him (Princess Mononoke reference?) Let me just say that the forest backgrounds in general looking quite gorgeous. It’s so cool to see the evolution of certain shots from the original series, like Huntress’s “cliff under a tree,” the originally was composed of flat colors and now transformed into a multi-layered beauty. Shoutout to the many background designers and painters who helped make up this episode, some of which I’m planning to give a shoutout to at the end of each blog entry.

Back in Fionna-World, we’re treated to a few more character returns. Glad to see Marc Maron Squirrel is thriving in his new environment (in his impressionist era, no less!) and we see Marshall really adopting his vampiric roots. There’s a brief moment where he gets a call from “Birthgiver,” with the obvious implication being Hanna Abadeer, though with Ice Queen being taunted in the opening theme, I do wonder how exactly her connection to Marshall will play out in a way that differentiates itself from Marceline and Simon’s history. We’re also treated to Hunter and a quick parallel with Fionna’s injury slightly mimicking Finn’s current state, or at the very least, drawing back to the thorn that Finn had lodged in his hand way back in Is That You? With all of the allusions being made between characters, their physical state, relationships, and emotional wellbeing, I’d love to see this season play around with the ideas of just how much these characters have autonomy over their surroundings, or if they’re destined to falling into the same patterns and soul connections that their otherworldly counterparts are.

I feel as though the nearly half-hour episodes are much better paced this time around, which is a slight contrast from last season’s premiere. I felt Fionna Campbell was somewhat distracting in how it padded extra time, while we have moments in this episode that use time more methodically. We’re set up to a variety of different ideas and stories for the course of the season, but it doesn’t feel like information overload either. We’re still treated to more laidback sequences, like Fionna and the gang setting up for Gary’s grand opening. It’s good to see a blend of both, not rushing us right into the action, but having enough variety that it doesn’t feel claustrophobic in its surroundings. The dream sequence, on the other hand, does throw a lot out in a short amount of time, which is a welcomed addition. The more introspective elements seem to revolve around Fionna’s newfound dedication to helping others and the internal pressures that come with putting aside her own needs for others, along with the guilt and trauma that she surely carries along from her adventures through the multiverse. We get a brief glimpse of Martin’s discarded head, someone who previously counted on her that was hurt as a result of her actions. Also appearing is Winter King’s demented chicken servant from The Winter King, which is a possible sign that all of the terror and insecurity that Fionna’s arc implied she left behind is still lingering and at the forefront. We also get a wolf lurking, with a white wolf in dreams potentially symbolizing hope and a wolf in general connecting to some sort of threat or internal conflict. And hey, the thorn wasn’t the only arm symbolism we get up to this point, as Fionna has her own gnarly bionic arm in her fantasy dream! Cool to see Cake and Fionna sharing dreams is still a trademark of their relationship.


Things start wrapping up, as we’re treated to additional conflict setups, like Fionna feeling indebted to Gary after Queenie shuts his business down, Simon teaching Wiz Biz stuff (treating us to an aged up Blaine, Pep, and Cadebra! I love how Pep’s voice is slowly starting to sound pitch shifted, I wondered when he was going to eventually transform into Steve Little), and Huntress Wizard tracking down the bear that hurt Finn. Already saw a lot of people complaining about the abrupt ending, but like, here I am thinking, “we are so back.” It’s Adventure Time, baby! As is, it was a pretty decent premiere. Like I said prior, it’s kind of difficult to talk about it outside of speculation for future entries, but generally a better start pacing wise and more engaging compared to Fionna Campbell. I’m still a bit skeptical about how much I’m going to find myself intrigued by the Fionna-World stuff this season, as I’m definitely much more drawn to what’s happening in Ooo, but nothing established so far was particularly bad. Fionna-World is, at best, mildly charming. I think there’s still plenty they can play around with to evolve this concept and I appreciate the dedication that is being put into the world building. It just so happens that a lot of my attitude seems to be leaning toward “we’ll see what happens” as opposed to feeling glued to the screen, waiting to see what Fionna and her friends’ journeys bring us next. But I’m not totally cynical, I’m absolutely giddy to have this show back in any fashion. This team especially have proven themselves time and time again, so I’m looking forward to just what this season has in store in all corners of the multiverse.

This week’s staff shoutout goes out to Ala Flora who, as mentioned, worked on the opening storybook sequence. Flora’s work is visually stunning, tapping into childlike wonder and boasting beautiful colors in the process. You can check out her portfolio here.

Favorite line: “Mommies say hi!”

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Adventure Time: Righteous Jukebox

Adventure Time Reviewed

Hello friends! Somethin’ a little different this time around, I’ve been editing videos more frequently as a side hobby and decided to whip up a fun side project using AT‘s music. The purpose of the video was to convert it into a VHS tape, but I figured I’d upload it to YouTube as well.

Give it a watch and jam out to some good tunes! If it’s popular enough, I’ll do a second volume down the line.

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Artist Spotlight – Jesse Moynihan

Adventure Time Reviewed

It’s Jmoyns time! I’ve gushed about Jesse plenty on this blog; aside from Tom Herpich, he’s probably my favorite board artist in the series. So much of his own personal tastes and style bleed into those boards in a way that’s really inspiring to me. He’s come a long way throughout the series, starting out with some really wonky drawings that didn’t translate super well into the final animation to becoming one of the most rounded and consistent artists, both art and tone wise.

Art Style

Moynihan’s artwork, done primarily with all physical materials combines psychedelic colors, geometric shapes, and fantastical characters wearing wrestling gear. He started off focusing on making comics, which mainly consisted of his series Forming, before getting recruited by Pen Ward to work on AT. Jesse typically tackles both the spiritual and psychological through his own work, which transferred over into most of his AT outings from season four onward. More than any other storyboard artist in the series, Jesse has poured a large chunk of his life into his writing. Each artist has their own personal voice and quirks, but I don’t think anyone quite reached the same level of vulnerability that Jesse did. The show almost became a diary for him at certain points, as he dealt with his own questions about finding inner peace in The Mountain or had a raw unraveling when struggling to cope after a tumultuous break up with his former girlfriend, whom he also called “Margles.” A lot of his stuff has been pointed to as an example of the show’s growing pretentiousness, though I think his relationship with the series is probably the best example of its strengths. Using the show, its characters, its world and its rules to create something personal and unique with each individual outing.

Manly

Manly, a short made by Jesse and his brother for Cartoon Hangover, additionally exhibits the hallmarks mentioned above. It’s also a good chance to see more consistencies in his drawings that cross over into AT, namely the eye shapes, forced perspective, and a contrasting blend between simple designs and complex anatomy. Unrelated to Manly, but Justin Moynihan, Jesse’s brother, has contributed a bit to the main series musically, including Lost in the Darkness, Love in the Darkness, and the Booboo Sousa song. Jesse has also contributed to the show song-wise, including Real Power, Yeah Girl, It Stinks, and Braco Don’t Go.

Midnight Gospel

Moynihan served as art director for Pendleton Ward’s other series, The Midnight Gospel. A lot can be taken away from the background art in terms of how it matches the sensibilities detailed above. It’s a perfect mix between Ward’s simple charm and the psychedelia of Duncan Trussell.

Finn & Friends

Moynihan Finn’s have some BIG round pupils. Maybe some of the biggest Finn pupes in the series (Not counting Lucyola Langi, because she obviously takes the cake). When they’re not massive and circular, a classic Moynihanism is the slanted, oval eyes that appear on a lot of different characters, notable in images one, four, and five. Moynihan Finns also most commonly emote with raised eyebrows, seen in images six, seven, and eight. His Finn usually has more teeth displayed than the average Finn, as seen in images five and eight. While eye highlights are something common throughout the series and with every artist, Moynihan’s eye highlights are usually much smaller and more muted, as seen in the first and last image. And perhaps one of the biggest dead giveaways for a Moynihan Finn is the more defined shoulders, noted in images two, three, and seven. In fact, Moynihan is perhaps the artist that most frequently draws Finn without his backpack. Examples include Hitman, Who Would Win, Breezy, Is That You?, Astral Plane, and Checkmate.

Moynihan Jakes usually possess the same simplistic, raised eyebrows that his Finn’s have, as seen in images one, three, five, and eight. Perhaps most distinctive are eyes Moynihan draws for Jake, which will slant in the same sideways motion as Finn’s, with the whites receding into the black, as noted in images five, seven, and nine. In fact, the black in Jake’s eyes often swallows up the white pupils, making them much smaller than most board artists – seen in most images but primarily in one, four, six, and eight. Jake’s eye sockets will additionally often bulge off the side of his head, noted in the first two images. And, in typical Moynihan fashion, Jake’s shoulders are much more prominent. Seen in images one, three and four. A Moynihan Jake ear will often curl off the side of his head, but often not as dramatically as a Muto or Nyström ear.

Some other Moynihan character shots. Lots of slanted eyes, forced perspective, big pupils, extra teeth , defined shoulders, and the occasional sassy arms-on-hips.

Promo Art

Moynihan has created A LOT of promo art throughout the series, mostly in a black-and-white fashion with heavy shading, while some let his love for bright, vivid colors shine. Others are simplistic notebook doodles, which I always appreciate as well. Board artists don’t need to create promo art for episodes, so I always like when they commit to putting something out, even if that is just a simple doodle on paper. Some are really elaborate, like his last two season six episodes that incorporate live action elements. It’s pretty cool to additionally see the shear volume of people Moynihan has worked with throughout his tenure. He most consistently worked with Ako Castuera, but has partnered with various other artists, most notably throughout seasons 5 and 6. He might be the artist with the highest volume of partners? I could probably fact check that, but I’m not gunna.

Storyboards

Some select Moynihan boards. In a similar look to his promo art, Moynihan will often incorporate his own sense of shading into his boards, even if said shading doesn’t make it into the final product (i.e. Betty). Also included is his love for forced perspective, and a cameo from the lost beta character Tiny Hippogriff.

Adventure Time, Animation

Artist Spotlight – Adam Muto

Adventure Time Reviewed

Muto’s been with the show since the beginning, and has become the head honcho following the departure of Pen Ward. I always have said that it’s kind of hard to understand Muto’s vision for the overall series when it comes to tone and direction. I think more than anything his love for the series additionally includes letting the artists do what they do best while also trying to evolve and expand the world and keeping the characters relatively evergreen. When it comes to boarding, it can be equally difficult to determine which sections Muto worked on unless it’s with someone very distinctive, such as Sugar. His style is so synonymous with the polished look of the series that there’s definitively overlapping synchronicities in style. Not to say that he doesn’t have his own flair, however. Muto’s probably of the best draftsmen in the entire series, churning out some really clean and neat drawings that bleed through even in his rough storyboards.

Art Style

Muto is a comic man most prominently. Most of his style can be analyzed through his two most prominent comic series – Tall Penguin and Future Boyfriend. I’m always impressed by how clean Muto’s linework is, ranging from very simple shapes to more complex designs that never seem to battle each other. Diverging from the hyperrealism of his counterpart, Rebecca Sugar, Muto lends himself to more cartoonish sensibilities. It’s easy to see how Adventure Time has impacted his own look, while also noting the nuances that bleed through in his own boards. Very wide faces, forced perspective, small slants for eyebags, the heightened detail mixed with extreme simplicities. Muto mainly avoids color in his artwork and sticks with a monotone drop.

Finn & Friends

woof. This one was a toughie. Scanning through the earlier seasons, it’s really difficult to denote Muto hallmarks outside of the observation that “this bit was not boarded by Rebecca Sugar.” I don’t mean that to make it seem like Muto is an inferior artist, most of his drawings look great! It’s just somewhat difficult to distinguish his Finn apart from some of the many other iterations in the series. Something pretty consistent with all of Muto’s art is his wide-eyed characters donning slanty eye bags, which Finn takes on in the first and fifth image. One feature I never really noticed until I was researching for this write-up was the slightly curled dot eyes that will show up more so in the earlier Muto efforts, seen in the second and third images. Also, the thin, liney eyebrows in images four and six carry through most of Muto’s episodes throughout the series.

Muto’s Jake is way more easily recognizable than his Finn. Muto and Wolfhard have an unspoken competition for crankiest, wrinkliest Jake. While Wolfhard’s accents are noted by their smallness, Muto goes for a bigger, more expanded approach with Jake’s features, often making his eyes, nose, and mouth take over most of his body. These choices really get to shine in Daddy-Daughter Card Wars more than anywhere else. As seen in image 3, 7, and 9, Muto will often have Jake’s ears hang off his body as little nubs. Though, I usually associate this design choice more with Hanna K. Nyström.

This gallery of other characters is mostly just me realizing that Muto’s style is perhaps most notable on the dog characters, and his love for drawing them in side view. Again, a bit difficult to find some specific examples where an image really stands out as “yeah, that’s a Muto drawing.”

Concept Art

Muto regularly dips his toes into conceptualizing ideas for the series. A lot of these have made their way into the show verbatim (Finn and Jake Banana Guard disguises, Nightmare Princess, BMO and Ice King’s business outfit) while others were expanded upon by other board artists (Fern’s design).

Misc.

Muto has whipped up a lot of gift drawings and non-episode promo images, mainly towards the original show’s climax. Like most of his art, they’re done in his traditional black-and-white style.

Storyboards

Some Muto boards, showcasing both his love for added details, thick and defined outlines, and sideview pups.

Uncategorized

Artist Spotlight – Steve Wolfhard

Adventure Time Reviewed

Known for his love of tabletop games and general affinity for the pups, King of Ooo, and the 1000+ Ooo-scape, Steve Wolfhard started out as a board revisionist before becoming a full-time board artist at the start of season 5. His partnership with Tom Herpich has been the longest running board team for the entirety of the series, and despite their general overlapping interests (Tree Trunks, Finn and Jake’s brotherhood, Finn being kind of stupid) Wolfhard’s style largely contrasts Herpich when it comes to design.

Art Style

Wolfhard’s style is easily recognizable for its super thin, squiggly outlines. Details mostly extend to facial accents, such as wrinkles, eyebags, hairs, and fuller lips. His sensibilities are similar to that of his partner, connecting to the magic and sorcery of the world while also leaning more toward a cartoonier side. Wolfhard has worked on a few animated shows post AT, most notably Amphibia.

Concept Art

Wolfhard’s squiggly outlines and flat color are prominent in most of his artwork – concepts included. Wolfhard has maybe created the most concept artwork for the series, with a blend of ideas he conjured up for the episodes he’s worked on (Finn and Jake’s KOO armor, the adult pups) while others involve oddball pitches that don’t get off the floor (Finn dating the Mona Lisa, King of Ooo dating an androgynous blue figure). Some of these oddball ideas do end up making their way into the series later in the process (Slime Princess growing huge, King of Ooo being a little waxman).

Pups

Wolfhard has an affinity for the pups, which makes sense – it was one of the first elements of the series that he had a part in developing. Lots of different points of development above, including appearance and personality outlines for the pups.

1000+

This section isn’t entirely unique from the one before it, as the pups make their way into the 1000+ lore. Wolfhard got to build the visual look for the 1000+ world pretty much from scratch, and most of his character concepts made it into the actual show, with the exception of Wintergreen and Clover, the possum standing on Sweet P’s head.

Finn & Friends

Whenever Finn or any other character is drawn with thin face wrinkles or more prominent lips and cheeks, that can be a dead giveaway of Wolfhard’s touch. When Finn isn’t wrinkly, it can be a little bit more difficult to tell of Wolfhard’s touch. Standard shots of Finn are very simplistic looking, as seen in the final image. Sometimes he’ll give Finn or other characters a dumb little cheeky smile as seen in the fourth image, though this is an expression that most of the staff likes to churn out from time to time. Wolfhard’s details can usually be noted by their “small”ness, not overly exaggerated and usually manifest as minute line strokes.

Wolfhard’s Jake is a bit more identifiable than his Finn, because boy, is this guy cranky!! Again, the simplicity is key here. Anytime you see those thin, slanted, slightly wobbly eyebrows on Jake, it’s likely going to be Wolfhard. His most focal ear is usually just hanging off the side a bit, while the second may peak off or be hidden.

Some Wolfhard board-to-animation drawings in all of their wrinkly, big-lipped glory. Also some dumb smiles.

Promo Art

Often, instead of doing promo artwork, Wolfhard will conjure up full comic strips for the featured episode. I linked Daddy-Daughter Card Wars and The More You Moe, the Moe You Know to their full page.

Similar to Herpich, Wolfhard has made some really powerful Finn solo stuff that I think is gnarly.

Storyboards

Some cut scenes from episodes that Wolfhard has boarded – those squiggly lines are, of course, most prominent in the boards.

Title Cards

Some title cards Wolfhard has designed. It’s interesting because these are generally larger than his usual visual efforts, often featuring grand features and extremely detailed backgrounds. Wolfhard’s handwritten titles can be most prominently noted on episodes like Bonnie & Neddy and Ring of Fire, where they’re traced over precisely in the final product. Temple of Mars strayed away from this in the final product.

Some cut title cards that Wolfhard has crafted (he did end up creating the official title card for The More You Moe, the Moe You Know regardless).

Adventure Time, Animation, Uncategorized

“Together Again” Review

Adventure Time Reviewed


Original Airdate: May 20, 2021

Written & Storyboard by: Hanna K. Nyström, Anna Syvertsson, Iggy Craig, Maya Petersen & Serena Wu

Together Again was easily the most anticipated Distant Lands special for me personally. Come Alone With Me still stands as a decent cap for the original series, but it left me a bit unsatisfied with how Finn and Jake, the core of Adventure Time, were mainly sidelined for story purposes. That being said, I may have went into this one a little too hyped. The story that I thought I was going to get in Together Again was very different from what actually happened, and I couldn’t help leaving this episode a bit disappointed. I was mainly expecting it to be about Finn’s life during the timeline of Obsidian, his grief over the loss of his brother, and his eventual acceptance of his passing after a shared epiphany. That being said, I’ve watched this special several times since my first viewing with a different perspective – it’s unfair to view it through the eyes of my own personal bias, so I wanted to give myself a chance to appreciate it for what it is. And, lo-and-behold, I got that chance. Together Again really is the solid conclusion to Finn and Jake’s brotherhood that I was still truly craving even after all was said and done. That being said, I think some of the initial criticisms I left with after a first viewing haven’t completely dissipated, but I’m still feeling mostly optimistic.

I know it’s only been like, two years, but seeing that classic Adventure Time opening, along with the traditional title cards, was a bit too nostalgic to resist. I think it’s all the more fitting that the remainder of the opening is set up like a classic Finn and Jake entry. I will say that the entire beginning of the episode is a little underwhelming for me in terms of capturing that classic AT spirit. I know that it’s all just a hallucination, but I felt as if there wasn’t enough dedication to truly making it feel like Season One Adventure Time. It’s a little bit too low energy and the characterization of Finn and Ice King just doesn’t really seem on par with what you would expect from the time period it’s supposed to take place in. Ice King’s a little overly sinister and Finn doesn’t really capture his youthful energy. I feel as though it would’ve been a stronger tribute if some of these beginning elements have been fine-tuned. That being said, it’s a fine opening that makes it pretty clear early on that it isn’t actually from that time period; there are snowmen that look very similar to Gumbald and Peacemaster, and Finn’s voice is very clearly… pubescent. What it boils down to is Finn’s continuous attempts to keep the light adventuring going so that Jake doesn’t have to leave. Probably the biggest emotional takeaway from Together Again comes when Finn has to once again deal with the idea of Jake “dying” in a very disturbing way. The panic that Finn begins to experience is genuinely heartbreaking, and as much as I emphasized that I originally wanted this episode to be about Finn accepting Jake’s passing, the episode makes it very clear early on that Finn really never did. Or if he accepted it, it still tore him up a lot. And honestly, I do feel like that’s much more appropriate than what I wanted. As sad as it is, the idea that Finn was really never the same after Jake passed away just feels… right. It would make me personally more comfortable to see Finn acknowledge and accept his brother’s passing because I want to believe the lil guy would be okay even after such a tragic event. But this special emphasizes again and again and again – it fucking hurts, and even if he lived a life where he had things that brought him fulfillment, he still never was able to feel full after Jake passed. Damn, man.


The longer I think about it, the sadder I get, so let’s keep this sucker goin’. Seeing Finn as a withered old man is a decision that I really didn’t expect the team to take, but because his scenes are left so vague, it really doesn’t give much info into Finn’s life. It’s both a blessing and a curse, because while this episode continues AT‘s trend of keeping things mysterious, it also slightly hurts the realism of the episode in the process. Or confuses it, at the very least. For the entirety of the episode, Finn is actually an elderly man, but takes the appearance of his 17-year-old self. It’s weird in that sense because, in his 70+ years of living, we don’t really see anything indicative of major changes in Finn’s behavior or what he’s been up to, so his developmental state comfortably sticks with what is recognizable for viewers. Finn even alludes to this when choosing his appearance. You could argue that Finn being reconnected to Jake brought back his youthful sense of self, but I dunno, it’s super difficult to keep this mystery up when literal decades have passed by and outside of a few throwaway lines, Finn doesn’t exhibit any signs of growth outside of what we are already familiar with. I don’t necessarily see this as a major flaw – I don’t really think it would be particularly fun to see Finn acting like an old, whimsical coot for the entirety of the episode. I still can’t help but feel like it’s slightly gimmicky in its presentation regardless.

As much as Together Again presents itself as a climax of Finn and Jake’s journeys together, it also weirdly offers closure for some very random Ooo inhabitants. Mr. Fox and Tiffany are both given conclusions to their individual “arcs,” per se, and it’s kind of awesome, actually. I peruse through old reviews sometimes to see how my perception has changed overtime, and I kind of have no idea why I was so passive to Tiffany in the past. At this point, I think it’s hilarious that this intended one-off character became a fully realized, Shakespearean anti-hero who only ever wanted the love of a momma and poppa. I was a bit miffed that all of these other characters were coming in to mooch off of Finn and Jake’s time, but I really think these additions, such as Tiffany’s arc as mentioned above, help add a layer of fun to the special in general. He finally gets to be blood-brothers with Finn and Jake! As I also mentioned, Mr. Fox gets his big day in the limelight. I especially like how far Mr. Fox has come, because he’s pretty much the least notable side character in the series for any casual viewer. But here he is in Together Again, in all his glory, as he’s now the official ruler of the Land of the Dead, even after all he wanted was a cushion-y pillow. As always, M.F. would be nothing without Tom Herpich’s terrific performance. Something that never quite gets old to me is how it feels like Herpich isn’t really even voice acting, but just stumbled into the booth and started reading a script. That sounds incredibly harsh, but I promise you all that I mean it in the most flattering way necessary. Because there are too many to mention in their entirety, here’s my personal favorite callbacks and cameos throughout the special:

  • Jake’s clap from James Baxter the Horse! Kinda wish they didn’t call extra attention to it, because I feel like it was instantly recognizable otherwise.
  • I like that Mr. Fox, after all these years, is seemingly still carrying a torch for Boobafina. It’s time to move on, man.
  • I believe this is the first time in the series/any form of AT media where Jake is confirmed to be a reincarnation of Shoko’s tiger. Always was assumed, but cool to have that additional confirmation.
  • It was super sweet to see Finn interact with Joshua and Margaret as his adult self, but I think the icing on the cake is that he could care less about seeing Jermaine. Nobody cares about poor Jerm.
  • Peppermint Butler being the new princess is both very interesting and cryptic. I doubt this implies Princess Bubblegum’s death, assuming that the disguised figure in Come Along With Me‘s opening was her. It is interesting to see all of the additions to the castle in general, adopting many elements of wizardry and dark magic. Wondering if this will be touched on at all in Wizard City, though I’d think likely not.
  • Choose Goose appearing AGAIN! Considering that the trailer for the next special also includes his voice, it’s amazing to me that nearly half his appearances in the entire series will derive from Distant Lands. Is this spin-off bait just waiting to happen?
  • Clarence and Ghost Princess living it up big time in 50th Dead World.
  • Tree Trunks living it up big time with all of her man slaves in 30th Dead World. Also featuring Polly Lou Livingston’s last performance before her death. Rest in peace, you lovely gem.
  • Wyatt NOT living it up in 1st Dead World. He really is the worst.

In general, the exploration of the Dead Worlds is super gnarly to me. This worldbuilding in general feels like something that Adventure Time has wanted to do for years but for whatever reason it never got past the conceptual stage. A portion of this story was actually adapted from an outline Jesse Moynihan worked on back in season three that was initially going to be Ghost Princess, but it was revised to have a smaller story. I really thought the gorgeous backgrounds in Together Again were works of ghostshrimp, but it was actually two other designers that did a fantastic job: Udo Jung and Julian De Perio, who both worked on BMO. I really love how each Dead World, even the unnamed realms, have a unique and abstract feel to them that you really can’t decipher if it’s peaceful or threatening. It also kind of makes you wonder how each works on an ethical standpoint – clearly the 1st Dead World is equivalent to Hell and the 50th is comparative to Heaven, but is there any true “ranking” that goes into the other Dead Worlds? If I had to guess, I’d say placement in a prospective Dead World connects to the values of the deceased. 30th Dead World feels like Tree Trunks’ meadow residence with added luxuries, while 45th Dead World appears to just be a very Homeworld-esque suburbia for loving families. Or, at least in this case, the Dog family. That being said, it kind of makes you wonder how some folks ended up where they did. You can’t tell me that my boy Choose Goose deserves to be rotting with Maja. (UPDATE: Well…)


We’re introduced to the offspring of Life and Death in this episode, simply named New Death. New Death is a bit of a pain in the ass throughout the run of this one. His rebellious teenager personality is amusing at first, but quickly tires out after a period of time. He really doesn’t take up a ton of time in the special itself, but any time he shows up, his presence really doesn’t add much, outside of a killer design by Iggy Craig. The one bit I did find genuinely intriguing from him was the moment at his demise when he solemnly mentions his mother’s name. Feel like it was surprisingly a bit ballsy to give him one moment of humanity before he is legitimately destroyed. Of course, the late Miguel Ferrer sadly could not reprise his role as Death, but it is cool seeing more into Life’s perspective. Life is another aspect of the special that feels like she was always meant to have a larger role in the series, but it just never was able to come into fruition. Her realm is similarly gorgeous, with lush ocean colors permeating throughout. I find Life’s personality as a sweet but relentless ruler that you do not want to mess with a lot of fun – it gives you a pretty good idea of why she had married Death in the first place.

I’ve been batting around with a lot of the less major stuff up to this point, so let’s get into the meat of this episode: Finn and Jake’s connection. I do feel like everything that is portrayed with Finn and Jake’s relationship in this episode gets the emotions right, but not always the characterization. Let me elaborate: nothing in this episode feels out of character or unlikable for the boys, but it also feels like there’s something slightly off or different about their individual roles. I think I could honestly just say this about Distant Lands in general, however. Considering that the writing staff is completely different, with the exception of Hanna K. Nyström, it’s really no wonder that this feeling arises, though I can’t entirely put my finger on it. There’s something a bit less goofy about it and slightly more straightforward when it comes to the humor and dialogue of Distant Lands that just feels lacking of a certain spunk and identity the original series had. Even certain lines, such as Finn’s “because it’s no jerks allowed!” felt especially corny for him to exclaim. It still captures the heart of Adventure Time, but I think any media franchise that runs for a period of time and changes teams majorly is going to run into this problem. Hell, comparing season 8 of Adventure Time with season 1 is literally comparing two radically different shows with radically different teams. Even the lack of Tim Kiefer is very apparent. Amanda Jones does an okay job at composing the score for the special, but there’s really nothing about it that connects to the essence of what Kiefer was doing. I really hate to complain, because nothing Distant Lands has done so far has been anywhere close to bad or disrespectful to the original series, but I think it’s one step at showing how much one team over the course of a few years really defined the series (Jesse, Tom, Pen, Steve, Ako, Rebecca, Somvilay, Seo, Adam, Graham, etc.) and how, as more spin-offs and reboots come into fruition down the line, it’s likely that the magic of the original will never truly be replicated.


But my bullshitting aside, I do think that the team behind Together Again did their damnedest to really paint a beautiful story among AT‘s baby boys. This is probably the most emotional we ever see Finn in the series, and I think it pays off super well. Finn and Jake’s brotherhood has always been the heart of the show, but Together Again really stresses how much Finn was never able to fully live the same again after Jake’s passing, and I think it makes total sense. Finn probably wasn’t that old when Joshua and Margaret passed, so Jake essentially doubled as both a brother and parent to Finn for so many years. That grief of losing someone is something that really never fades, and Together Again is genuinely relentless in showing that. It was especially devastating to see that Jake doesn’t initially recognize Finn, as he continues to fall into breakdown category. That poor boy just needs a squoze from his brother. Despite it being quite difficult to stomach, I do think that it ultimately makes sense that Jake would let go of all earthly possessions, as alluded to throughout the years in his desires to fulfill his croak dream. I’m sure it wasn’t something that he was consciously okay with from the start, but he let go as a means to find his inner peace and allow for his destiny to truly unfold. Finn, however, has never really been the destiny or holistic type; his true meaning in life comes from his dedication to others. It does make me wonder what Finn’s connection to the 37th Dead World is, considering that it was left mainly ambiguous in Sons of Mars. Since Jake initially ended up there, I wonder if it has something to do with selflessness. Jake chose to stay alive rather than fulfill his destiny on Mars because Finn needed him, and Finn likewise died on some sort of rescue mission it seems. That, or it’s where original Death would send people that he was tight with.

Although only about half the special focuses on their brotherly bond, there are tons of highlights throughout: Jake letting loose a toot while they try to be incognito, Jake offering caring advice when Finn feels at fault for New Death’s scheming, Finn’s admiration for Jake’s mermaid bod, the reunion of the Jakesuit, and many more. Even their overly aggressive fight is super endearing in their continued desire to protect and aide each other. And of course, one of their most cherished, shared activities is a good old-fashioned Lich fight! I gotta be honest y’all, I went from really not liking this shoe-horned inclusion to kind of digging it. I was pretty done with the Lich after his appearance in Whispers, where he was no longer intimidating and felt like he was about effective as any other villain in the series. Here… he’s still not very intimidating, but Ron Perlman’s voice acting is almost impossible to not be impressed by at all times. The Lich gets a few solid lines, namely “the spawn of life and death is a creature without purpose, fit only to be a pawn in my eternal quest to end all life.” Even though he is quickly disposed of, it seems apparent at this point that, like Life and Death, the Lich will always be around as an entity of destruction and death. And truthfully, I feel like the only appropriate way to cap off Finn and Jake’s role in the series is to have the Lich as the final big bad. The Lich was the first true trial in their journey as adventurers, and it feels appropriate that he would be their last as well. The ending is probably the highlight of the entire special. Once again emphasizing Finn’s need for Jake in his life, it’s super touching that Jake would give up a lifetime of enlightenment just to live with his bro again. Even before he joins, the tight hug Finn gives Jake shows that he’s probably not fully committed to letting go of his reincarnation dreams with Jake, and Jake has his own epiphany that the strength of his brotherhood outranks any type of Glob destiny that awaited him.


Together Again isn’t a perfect AT episode for me personally. Some of the character dialogue feels a little clunky, there’s maybe a bit too much fanservice, and it lacks that certain spunk of the original series that I had mentioned. But it’s so committed to being a love letter to everyone that cared so dearly about Finn and Jake that I really can’t have too much of an issue with it. Come Along With Me felt like a big jumbled mess that wanted to tie up any loose ends that it could in the span of an hour, while Together Again is very much committed to the heart of AT itself that it feels much more akin to a finale than the prior entry. So far, I think it’s probably the strongest of the DL specials, and a wonderful way to cap off the spin-off series as a whole.

… Oh yeah, we still have Wizard City. Huh.

Favorite line: “All I ask is for permission to use your bones…for a spell.“

Adventure Time, Animation, Lifestyles

Season Nine Review

Adventure Time Reviewed

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Has anyone realized yet that I always start the season reviews with a picture of Finn and Jake and sometimes other people hugging? Seriously, look at every other season review. Even the miniseries reviews had ’em. I’ve worked really hard on finding these hugging pics guys. I honestly think that shit ties this entire blog together. It’s my true magnum opus.

Anywho, season nine! Season nine is probably the weakest Adventure Time season to date. There has been a couple of seasons that I didn’t really connect with on a greater scale. Season 5.1 kind of strikes me as slightly hit-or-miss with not many episodes that truly stood out. If we’re taking Cartoon Network’s rebrand into consideration (of which I’m really starting to regret not following, I feel like I’ve ultimately dated this blog for future readings) Season 7 wasn’t too hot either. I think Season 9 stands out more than others on a quality front because:

  1. It is the last season of the series, after all.
  2. It’s shorter than every other season to date.

The second aspect is interesting, because I don’t necessarily think a smaller quantity equals a lesser quality – in fact, it’s usually the opposite. But in this case, it’s noticeable because Season 9 mainly spends its time focusing on a more serialized story arc, rather than following the show’s previous attempts at being episodic. Considering that I think the Gumbald arc sort of falls apart by the finale (though it was never especially interesting to begin with) it makes the season feel more wasted, even if I do appreciate that it was giving fans what they wanted after so long: a continuing story, not weighed down by filler.

I have a weird relationship with Adventure Time‘s attempts at serialization. I’m not necessarily opposed to the idea, but this is a series that was kind of built on the foundation of having little-to-no continuing story. That’s not to say it can’t change – Steven Universe was also kind of in the same boat in its first season (and in some respects, the seasons that followed it) until committing to a more ongoing storyline. Part of what makes Adventure Time so unique, however, is that it can kind of do whatever it wants whenever it wants with very little limitations at hand. A serialized story, while more rewarding in a sense, actually makes Adventure Time‘s individual entries standout less. I remember Always BMO Closing less as a fun BMO and Ice King adventure and more as a dull continuation of Gumbald’s story. Marcy & Hunson isn’t allowed to just focus on the already tumultuous relationship between Marceline and her father, but it also has to shoehorn in a secondary forced conflict with Princess Bubblegum’s cousin Chicle. Then again, Adventure Time ‘s eight season was almost exclusively bigger, serialized stories with very few standalone entries, and it proved to be one of the show’s best. So does it just boil down to poor quality in general?

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I think it’s easy to kind of jump on the idea that Season Nine COULD HAVE been better had the series not ceased production so early or if there were more episodes in general. But I think there’s also the possibility that AT may have just run its course. Not saying that it’s the obvious answer (we’ll see how Distant Lands fairs) but I think there’s a definite chance that the series, seven years old by this point and 260 episodes in, just wasn’t able to delight and surprise as it once did. Don’t get me wrong, Season Nine had some goodies. Blenanas was just the kind of standalone madness that I had been craving from AT by the time it aired. The Wild Hunt boasted some of the show’s slickest animation and storyboarding yet. Ring of Fire, despite the criticism facing it, was a delightfully horny Tree Trunks entry. But, even then, the entries that are great or good don’t really even rank among a top 10 or anything. Likewise, the episodes that are bad aren’t horrendously bad, but they’re also a special kind of mediocre that I’m not really used to seeing from the series.

Jake the Starchild was this really big culmination of a lot of elements that were built up throughout the series and it kind of just ended with these elements going absolutely no where. I know one could argue that Adventure Time is no stranger to holding the status quo oh-so-dear, but at this point in the series, I’d like to see some actual punches thrown. It doesn’t even really have to be a gamechanger by any means necessarily, but just do SOMETHING new with this story element that quite honestly wrapped up perfectly fine in Abstract, even without lasting consequences. While The Wild Hunt boasted some of the best animation in the series, Seventeen exhibited some of the worst, feeling like a mish-mash of storyboards that just felt super unpolished. Hunson & Marcy, aside from bits of forced conflict, brought back a long-running antagonist only to basically execute an exact repeat of all of his spotlight episodes thus far. Comparing it to the previous season once more, I feel like Season Eight seemed to address the show’s longstanding complaints by closing doors and offering more immediate satisfaction and overarching stories. Season Nine, while keeping in the spirit of what Season Eight wanted to accomplish, feels like one step back in its execution of these events.

The actual story arcs weren’t particularly strong either. I’ve gone on and on about how Gumbald’s arc fell flat in previous reviews, so I wouldn’t be adding much by elaborating on it here. At the very least, I will say that the Gumbald stuff isn’t awful, nor does it ruin any aspect of the series for me. It just isn’t very good and kind of squanders the potential of the last handful of episodes, but it’s executed in a quick and painless way and at least provides for some (relatively) interesting bits of PB’s past. I said “story arcs” above, but truthfully, that’s pretty much it. Fern gets some flack throughout, and while I don’t think his ending was particularly strong, I think his recurring role in the series probably makes for some of Season Nine’s strongest points, namely his battle with Finn in Gumbaldia. Otherwise, that’s kind of it for ongoing arcs. There’s a few episodes with Jake and his dad that go nowhere, as well as setup for GOLB, but most of that is dealt with in the finale.

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It’s difficult to talk about the success of boarding teams this season since there’s so few episodes. Per usual, Sam Alden hopped around from partner to partner, and almost always did great wherever he landed. Current and old AT staff members hopped on board to assist every now and then, which was a treat. Adam Muto chimed in for Marcy & Hunson, and I’m kinda sad in realizing that a lot of the Muto-boarded episodes after season three… aren’t very good. I mean, he’s had some gems, such as Everything Stays, Little Brother, and Varmints. But he’s also had The Prince Who Wanted Everything, Dark Purple, and Marcy & Hunson. Yeeesh. Still love the direction that he took the series in, but I can’t really say he’s been the strongest when it comes to the boarding front these past few years. Erik Fountain joined Sam Alden for The Wild Hunt and proved that he’s one of the most skilled storyboarders on the staff. Pat McHale returned after years apart from the series for Blenanas, making for the best episode of the season. And Kent Osborne lent a hand for some BMO-Ice King goofiness in Always BMO Closing. For all of the praise I focused towards Seo and Somvilay last season, I really didn’t like a single episode they churned out during Season Nine. Their chunk of the finale was probably the weakest, and I think Son of Rap Bear ranks upon one of AT‘s worst efforts. Tom and Steve’s work was enjoyable, though not necessarily up to par with what I typically expect from them. I completely acknowledge that I sound like a self-righteous douche saying that, but I mean that in the most complimentary way. They’ve been one of the strongest teams throughout this show’s run, but nothing in Season Nine struck a chord with me in a particularly strong way. I kept thinking that Temple of Mars should have been the greatest episode ever, but it just wasn’t. Hanna K. and Aleks Sennwald dished out a good amount of hit-or-miss material, with the mixed bag of Bonnibel Bubblegum, the mostly delightful The First Investigation, and the painfully bland Jake the Starchild. Per usual, Graham Falk hopped around as well, in mostly decent-to-meh boarding efforts. It’s funny to me that Falk ended up boarding the last chunk of AT material to date. I have mixed feelings on his episodes overall, though I do recognize his talent. Still, he’s one of the last storyboard artists I would have expected to finish out the series entirely. I guess his role in the final calls is also up for debate, however.

Top 5 Best Episodes

5. Temple of Mars – A pretty neat continuation of Betty’s story, along with some cool psychological trials along the way.

4. The First Investigation – A fun time-skip episode interlaced with really sweet moments between Finn, Jake, and their late parents.

3. Ring of Fire – The journey of life told from a horny elephant’s perspective. I’m sold!

2. The Wild Hunt – An action-packed, high stakes episode with stellar animation to boot. A really nice exploration of Finn’s psyche as well.

1. Blenanas – All-in-all, a super fun, endearing, lighthearted, and funny entry that is as simple as the series can possibly get. And, as proved time and time again, that can sometimes be enough.

Worst Episodes

5.  Always BMO Closing – A mish mash of silly ideas and forced serialization that never truly complement each other.

4. Seventeen – The animation and poses in this episode are super awkward and stilted, and the plot itself isn’t entirely compelling.

3. Jake the Starchild – Just a really lame, pointless story that kind of goes no where and has nothing new to say.

2. Marcy & Hunson – A rehash of every Hunson entry in the series so far, interlaced with pandering moments for Bubbline fans.

1. Son of Rap Bear – A truly insignificant way to wrap up Flame Princess’s character, mixed with poor story elements, weak character moments, and even somewhat of a desire to be “hip with the kids,” which I never thought I’d say about Adventure Time.

Final Consensus

Season Nine is likely the weakest season to date. Outside of time limits, the episodes we got just weren’t very good in my eyes. There certainly is much more of a higher expectation for this season than previously seasons, however. Considering that this is the final batch of episodes for such a longrunning series, there’s more immediate satisfaction desired. Episodes in the past with some of the biggest sins, such as Breezy, are now more overlooked since episodes like Reboot came along to repent. Episodes such as Jake the Starchild and Son of Rap Bear aren’t as easily overlooked, considering that there’s no longer a cushion to make up for their squandered story elements. But as I’ve said above, this season wasn’t necessarily awful. It never had me shaking my fist in anger or denouncing the series. It was just kind of a let down for a series that has been going on for so long and has consistently sought to improve itself. But, considering that we now have more Adventure Time material on the way, maybe this will be the staff’s opportunity to truly get their final say in. Or maybe it will tease seven seasons worth of Adventure Time material down the line. It’ll probably be the latter.

That about wraps it up for the routine material – now we get to the fun stuff! Tune in next week for the Best and Worst of Adventure Time episodes!

 

 

 

 

 

Adventure Time, Animation, Lifestyles

“Come Along With Me” Consensus

Adventure Time Reviewed

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Before checking out this review, be sure you read the segmented analyses of each part of Come Along With Me.

It’s been a while, friends! Hope everyone had a terrific holiday season and a great start to their new year! Following the release of the final Come Along With Me individual review, I was definitely feeling burnt out and needed space from the series and this blog for a bit to rekindle my energy. My enthusiasm for discussing AT has happily renewed, and I’ll be wrapping up the first wave of this blog throughout the next few weeks with some bonus content. Since I’m just getting back into the swing of things, I don’t want to promise any form of heavily stressed deadlines, though this is the order of content you can expect for the next few weeks:

  • Season 9 Review.
  • The Best and Worst of Adventure Time Episodes.
  • Top 10 Adventure Time Moments.
  • Adventure Time Character Analysis.

I’ve batted around a few more ideas for bonus content before, and those ideas are still on the table, but I’d like to focus on the stuff I really want to tackle before possibly over-promising anything too elaborate.

A reminder that my giving campaign is still up and running! If you feel like you got one dollar’s worth of entertainment reading this blog in the past or present, or if you want to support the future of this blog, feel free to throw some cashola my way in you have the extra money!

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With that said, let’s take a look at Come Along With Me as a whole! Ever since the release of the finale, I’ve seen nothing but overwhelmingly positive responses about Come Along With Me. Review sites like The A.V. Club and IGN awarded the finale with an absolute perfect score, while several longtime fans and fans who jumped back on board to see how the series ended were pretty amazed. I was pretty much in the same boat, but as time has passed, and I’ve looked at the finale with clear eyes not clouded by hype of everything…

It’s a’ight.

I think there’s a lot to like about Come Along With Me. In many respects, it is a completely inoffensive, loving, and dedicated finale. This certainly isn’t a Game of Thrones situation where the finale is so bad that it hurts both rewatch value and the overall quality of the series, but it is a finale that I find somewhat underwhelming. On a thematic level, Come Along With Me succeeds in following the main mission statement of the series that “the fun will never end,” by portraying the optimistic viewpoint that life and existence still continue regardless of impending doom that so often afflicts humanity (and Ooo-manity, of course). But, when looking at it from a surface or story level, I think there’s still a good amount to be desired.

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Let’s start with the good stuff. The expansion of the 1000+ world that was introduced in Graybles 1000+ is quite impressive. I was initially a bit miffed that this futuristic element was being crammed in, seeing as how the finale was already so jam-packed as is, but I think it really adds a lot to what the episode sets out to say. Shermy and Beth are quite likable, albeit not particularly remarkable. I think they fill the shoes of “two wide-eyed scamps set out to do good,” really nicely. BMO’s presence in the future is also similarly endearing. I think he’s really the only character from the main cast that I would actually like to see this far into the future. Every other character is tied to some form of baggage that would probably devolve them into a gritty, worn-out version of their old self, but BMO is just BMO. His stagnant personality is a perfect fit 1000+ years later. The general layout of the 1000+ world is pretty gnarly. It does a great job at setting itself apart from the past version of Ooo, while still retaining its likable nature. I’ve seen a lot of comments about future Ooo being depressing, though I can’t really can’t behind that. There’s a definitely a more muted color scheme, but its spirit still feels light and playful. And considering that there’s a giant heroic Sweet P. traveling the land, it also still retains its large sense of heroism. After all, the whole point of the finale, as well as BMO’s story, is that there really is no end to anything. Ooo is different from what it once was, and Finn and Jake are no longer roaming around, but their spirit and energy lives on in other brave souls and environments. Like I said, the thematic elements of the episode are quite strong.

Come Along With Me feels very dedicated in its fanservice. Some moments feel like a little bit of a stretch for me, (Shermy singing “On a Tropical Island” was a bit too on-the-nose for my liking) but I think it is quite enjoyable for that reason. BMO’s treasure trove of items from the show’s history is so wide that I’m sure there are some elements that haven’t even been discovered yet. There’s plenty of cool character callbacks, some of which return just for the sense of wrapping up their individual arcs, like Maja and APTWE. The ending montage, in particular, is chock full of characters from the show’s history, as well as important character moments. I’ll throw in the entire montage as one of the great elements of this finale, partly because I never get sick of hearing “Come Along With Me,” and because there’s a couple bits that even got me misty-eyed. BMO sending Moe’s memories into space was a perfect epilogue to Moe’s story that ended in The More You Moe, The Moe You Know, Prismo not being able to bring back Betty was a super clever way of turning the tables on Simon’s tale, and Magic Man coming to terms with Margles’ absence was undeniably sweet. I also really can’t think of a better note to leave Finn’s character on than his mother and the humans finally arriving in Ooo. I still hold close that it would’ve been cool to see Finn and Jake take on their parents’ old job as a way to fulfill their desires of adventuring in a more stable environment, but I think this was a solid way to leave off his story in a relatively ambiguous, yet hopeful, way.

The finale also does have moments that legitimately do grab me in terms of excitement. The third part of Come Along With Me is probably my favorite, mainly because it is this fun, fast-paced, action-packed battle that never really takes a second to breathe or think. This is kind of what I was expecting for most of the finale, and I’m glad it delivered on some level. It gives you an idea of how tense and real the stakes are, even if everything ends up okay, for the most part. I think there’s three moments in the finale that really echo that somewhat hopeless feeling: Jake realizing the destruction after he arises before battling GOLB’s beasts, BMO’s face being smashed up, and the animals watching on as GOLB sucks up everything. There’s a true sense of finality that I do think boosts Come Along With Me into feeling like this big, grand entry. The song “Time Adventure” assists with that, which is a song that I love, though not particularly in how it’s executed within that actual episode. The studio recording of “Time Adventure” is a tune that I genuinely love and one that truly does make me feel something, but the way it’s included in the episode feels a little hollow. I still like everyone joining together in harmony in an attempt to defeat GOLB, but I would’ve like it if we got to hear the song the way it was intended (i.e. with Jake singing the final line to Finn).

There’s also Marceline and Bubblegum’s scene, which explicitly shows that they are involved romantically. Thought this was a super nice treat for people who had been invested in their relationship for so long, and somewhat of a big step forward in LGBTQ+ representation within children’s media. Like I said prior, Steven Universe had beaten AT to the punch YEARS before they had pulled this off forreal, but I think it still feels impactful. Steven Universe always kind of had the excuse that the gems were “genderless” in order to fly by the censors. This is an instance where two female characters are quite clearly portrayed as sexual counterparts, and I don’t think there’s really explanation around it either way.

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Now onto the bad/mediocre material. Surprisingly, I think Come Along With Me is really weak from a character standpoint. All of the main characters, in my opinion, are weighed down either by a story element, or the fact that there’s just too much going on at once, with the exception of BMO. Finn gets severely shafted in the third and fourth parts, being essentially a fly on the wall while all of this cool shit goes on around him, and his main character motivation in the first half is handled poorly. Bubblegum’s story of empathy has a pretty lousy payoff, considering that she really doesn’t end up changing the behavior that got her into such a circumstance to begin with. Jake’s presence is fun, but a bit too distracting in terms of tone at points, and he really isn’t given any kind of overarching role aside from being a bystander. Marceline is once again weighed down by her character only revolving around Bubblegum and Simon and not really getting a chance to do anything independently. As for Ice King, I think it works in everyone’s best interest (or at least a majority of the fan base) that he got the resolution that has been built up for so long, but I still have a couple qualms about how Simon’s return essentially means the end of Ice King, even if Gunter’s role attempts at subverting that.

A lot of these issues tie into the fact that there really is just too much going on in Come Along With Me, as to be expected with a series that’s been on this long and that has so many lingering mysteries. Even the elements that are given a good bit of attention, such as Fern’s redemption, feel all too rushed along for myself to truly get behind. Couple that with the fact that the story, or stories, themselves are not very strong.

The first half hour of the special is dedicated to the Great Gum War. This storyline had already felt kind of clunky throughout the course of season nine, but it really ends up going nowhere in its climax. While the dream sequence is interesting in some aspects, namely the scenes where PB and Gumbald experience life inside each other’s shoes, it feels wasted with the conclusion we get. I’m not even sure what the takeaway of Gumbald’s entire story was. It was originally supposed to tie in to PB’s overall insecurity of being a corrupt ruler, and it seemed like that’s where this episode wanted to take it, but it basically just ends up exactly where she started, trapping her family members in a barren vessel because she doesn’t want to deal with the real issue at hand. Except for Aunt Lolly, who apparently is super sympathetic towards PB for… some reason? Even though the last episode clearly showed that it was all a ruse? Her character is painted with little to no depth and it really shows. Not to mention that her role in the episode makes the entire first chunk of the finale moot, since Finn’s choice to Nightmare Juice PB and Gumbald had no effect on Aunt Lolly’s decision. Yet, the episode acts like Finn was the holy savior even after the fact when his choice only benefited Fern and not the overall war. I don’t get it, man. I could go on and on about how the way Gumbald’s betrayal at the end of Part 2 is written in a very sloppy way, but I think I could forgive the conclusion itself if we actually got something interesting from the war element. Since the development between Gumbald and PB ended up being scrapped, I would’ve at least liked to see some of the excitement that the past two episodes have so desperately built up to. I know its in typical AT fashion to subvert expectations, but c’mon, it’s the series finale. Go big with it! I wanna see Pete Sassafras murder someone.

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The GOLB twist provides for that surface level excitement I had been longing for, but I don’t think it’s especially strong either, which mostly has to do with GOLB as a character. The build up to GOLB’s presence was super mysterious and kind of suspenseful, but when he actually shows up, he’s kind of lame. He mainly just acts as a plot device for absolute destruction. The thing is, I’m not really sure how to make GOLB more interesting. I think it’d be silly if he had a speaking voice or some kind of evil plan, but I feel like another element should’ve been added to make him appear more intimidating. The animation shift to a more sketchy style during his demise was rad as hell, I wouldn’t mind if his entire appear called for some kind of animation shift. Or even just in shading – Come Along With Me is also plagued by really dull colors.

Simon’s story is wrapped up within the last chunk, and ehhh. I can’t really put blame on the staff for deciding that the only decision that made sense was curing Simon after years of build up, and to be fair, the way it’s executed isn’t bad by any means. I just think that Ice King’s character became way too elaborate for its own good to the point where I really didn’t want Simon to come back at all. Ice King is a character that has been shown to grow and develop on his own, so why should he get the shaft? I know that he technically still lives on through Gunter’s wish, but I dunno, it seems like a more complicated issue that was glossed over all too fast for the purpose of a quick conclusion. I do think Betty’s sacrifice was genuinely quite potent, and made for a nice role reversal in Simon and Betty’s never-ending saga.

Fern’s arc also gets a grand conclusion, which is bumpy, but still relatively satisfying. I think Part 2’s redemption story for Fern is way too obvious and unchallenged in how it handles his quick decision to cooperate with Finn, but I ultimately find his death to be quite poignant and a nice sentiment of Finn bidding farewell to his childhood and a part of himself.

Parts Ranked

  1. Part 3 – Just a ton of fun, and the one chunk of the finale that actually had me super invested in everything going on.
  2. Part 1 – A nice exploration of the 1000+ world, and a genuinely suspenseful build in to the faux war that never actually comes into fruition.
  3. Part 4 – A little clunky and awkward in how it tries to quickly wrap everything up as fast a possible, but still provides for a nice ending.
  4. Part 2 – The only part of the finale that I’d say is just straight up bad. Makes the entire storyline of the season feel partially wasted and it just isn’t all that interesting either.

Final Consensus

Come Along With Me is a safe, inoffensive finale, and that’s not necessarily a huge downfall. I think, in its core, it is a finale that had a lot of passion and love put into it. Like I said, there’s really nothing in here that could ruin the series for anyone or is even that deplorable, but I don’t really think that makes it especially good either. It still is very underwhelming in parts, and clearly comes from a staff that really had no idea how they were going to tie everything together. In my eyes, the series has already churned out some episodes that could make for great finales. Faults aside, The Comet did feel like a culmination of everything that Finn had learned up to that point, and a nice conclusion of himself finally finding peace. Islands also wrapped up a lot of long-standing questions, and offered fans an essential answer to who Finn truly is. Not necessarily saying that these episodes should have been finales – I think it would probably drive people insane if The Comet was the series finale. But those are both examples of episodes that set out to tell interesting stories first without the pressure of having every lingering detail figured out. Come Along With Me feels like a hodgepodge of ideas that want to offer ultimate satisfaction, but never really just focus on being entertaining first. Overall, I think it does get a pass for trying its damnedest to make everyone as satisfied as they possibly can be. But for me personally, it’s far from one of AT‘s strongest entries.

Adventure Time, Animation, Lifestyles

“Come Along With Me” (Part 4) Review

Adventure Time Reviewed

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Original Airdate: September 3, 2018

Written & Storyboarded by: Sam Alden & Graham Falk

Before we start, I want to let y’all know that there will be another giving campaign for this blog as I’m wrapping up the first wave of reviews. Some good reasons (I think) to give are:

  • Supporting future reviews for Distant Lands buy helping me acquire a subscription to HBO Max, complete with high qual screengrabs.
  • Supporting for reviews in the past.

I always feel super guilty asking for money from you guys – it’s not like I need it to put food on the table or anything. But this gig is, and has been, a lot of work, and I’ve never really figured out a good way to monetize it despite the decent traffic it brings in. Considering that there is still work to do, with more content on the way, it does feel more like a juggling act in my work and personal life which is already super jam-packed. If y’all are feeling generous and that you got $1’s worth of entertainment or enjoyment from this blog in the past, feel free to support me using the link below (the goal is listed as $1, though I mostly just put that as a placeholder because I didn’t have a specific goal in mind). This is in no way determining the future of the blog, I still plan on reviewing Distant Lands regardless. If you don’t donate, it doesn’t make you any less of a fan of the series or this site. If you feel as if there’s anything deceitful about me asking for donations, or if you just don’t feel like the blog itself is worth any monetary value, there is no pressure on you either. This is simply for anyone out there that is interested in supporting the past and future of Adventure Time Reviewed, and to help assist in motivating me forward.

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I’m partially filled with a warm bittersweet sensation as I tackle my final episode review. I say partial, because it turns out we have waaay more content coming along with Distant Lands, so there’s no use in really getting wishy-washy here. I’ll probably save these warm feelings for my reviews of Distant Lands, only to hold off once again because there will probably be a billion more reboots and revivals in the future. I’m gonna be 80-years-old trying to achieve closure for this series that obviously is never going to die. But still, it took a long way to get here and it’s surreal that I’ve finally gotten to the end of the original run. The final act of Come Along With Me has a lot to jumble, essentially trying to wrap up nearly every loose end up to this point, and from the finale alone. These last 11 minutes feel super rushed, and I really didn’t expect any less. With all of the mysteries that Adventure Time has held onto overtime, it didn’t seem realistic in the slightest that everything would be pulled off in the most satisfying way. But still, even with that in mind, there’s plenty of sweet moments that help this final chunk to land.

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During Adventure Time‘s finale panel at 2018’s San Diego Comic Con, John DiMaggio shed more than just a couple of tears at the idea of the show’s conclusion. That being said, you can really tell how much passion he’s putting into his performance as Jake. That beginning scene where Jake laments the destruction of his sanctuary is both super saddening and humorous in just how over-the-top it is. I mentioned this in my last review, but the idea of the Tree Fort being destroyed in general is immensely depressing. That’s not to say that its demise was necessarily a bad choice – I think it works as a unique tie-in with the theme that this episode revolves around, that being that some things end, but they also don’t really. I could’ve been cliche and said “everything stays, but it still changes,” but I held myself back. While the Tree Fort is no longer standing, the memories and what it represents (family) are still very much in tact. Or, at least, somewhat. That initial shot of BMO’s face is probably as sad as this finale gets; obviously we know the little guy isn’t going to die or anything, but his simple silence, as he stares down sadly at his caretaker, speaks so much louder than words. Adventure Time has always tried to emphasize the importance of silence as opposed to outward emotions, and I think this is a really great example of how well it can work. No tears, no outbursts, just the sad acceptance of what is already done. It’s amazing what AT manages to do with two dots and a line when it comes to reading visual emotions.

And even through all of that sadness, BMO manages to comfort Jake for all that he’s done to protect the members of his household. I’ll admit, I was a bit taken back when BMO ended up being the one singing “Time Adventure.” When Rebecca Sugar debuted the song months before the finale’s release, I assumed it would feature Finn and Jake singing it to each other, or some variation. It initially felt a little too silly for my liking, especially given that the scene essentially shows everyone in Ooo accepting that they’re probably going to die. But I’ve warmed up to the idea, and “Time Adventure” has become one of my favorite songs in the series. I will say that the officially released soundtrack version is waaay better than what we got in the actual episode. I cannot begin to express how bummed I am that Jake’s ending solo got cut out. It’s so beautifully chilling and touching that I have no idea who thought it was a good idea to put Simon and Betty banter over top of it. Still, I think both versions have their perks. The soundtrack version really feels like the harmony it was made out to be, where each character involved (Flame Princess, Magic Man, Slime Princess) can clearly be heard vocalizing. On the other hand, the episode’s version actually really emphasizes on Pendleton Ward’s voice, which I thought was super sweet. I do wonder – did other members of the staff join in? Can Muto’s voice be heard somewhere in this collaboration? I have no clue, but I thought it was nice that Pen had such a strong role in singing his creation off.

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Another strong moment from this section of the finale comes from Simon and Finn’s brief exchange as they anticipate decimation in the pits of GOLB. Simon’s delivery of, “no one gets to choose how it happens,” is genuinely impactful, especially so coming from him. Honestly, Simon’s been through so much at this point that I’m sure he just wants to die and get it over with – hell, that’s exactly what he wanted to do in Betty. I’m slightly more disappointed with Finn’s role, because again, I really feel like he’s a bystander to everything that’s going on around him. His line, “I always thought I’d go out saving someone,” just made me wonder, “why isn’t Finn saving someone right this second? Why was he written to be such a spec on the wall while everyone is included in all of this cool shit going on around them?” I’ve seen the argument that, since Finn has saved everyone countless times, this is an opportunity for everyone to save him, buuuut I don’t really buy into that. One, because it just doesn’t feel like it was written to be played out in such a way – the episode seems convinced that Finn effectively put a stop to the Great Gum War when that’s not really what happened at all. Second, there’s a way of carrying out the “now it’s our turn to save you,” story without making the hero ineffective or sidelined. I overall think that pairing Finn with Betty and Simon was a poor decision. He doesn’t really add anything to their dynamic, and is easily overshadowed by their arc.

I personally do think that Simon and Betty’s arc is wrapped up in a pretty satisfying way, as well as tragic. I like how Betty’s codependence never really dissolved, and it’s ultimately what ended up consuming her in her very last moments. Even when trying to move past her ultimate hidden desires, they resurface when she realizes that sacrificing herself is the only way for Simon to truly be free. It’s probably the least happy ending that occurs during this finale, but one that feels fittingly somber. As time went on, Simon and Betty’s relationship was being portrayed as more and more unhealthy from both parties, and I think the end result being that, no matter how much they love each other, they’ll never be able to be happy together, leading to the culmination of the general unhappiness that has consumed them for so long. A quick “fuck you” to the Simon & Marcy comic series for effectively undoing every sacrifice that occurred in this finale by giving Simon and Betty a totally normal, happy ending. This is much more potent.

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Pretty much every Cartoon Network finale in the past 5 years or so allows for like, 20 seconds of an animation boost of some sort. Regular Show and Steven Universe recruited the likes of James Baxter for a brief segment of animation; it’s a shame he couldn’t come back once more to assist with AT‘s finale, but we do get a cool, sketchy sequence ala Take On Me when GOLB unhinges. I always love these big “fabric of the universe disintegrating” moments in animation, and this one does not disappoint. Though, I am so unnecessarily bothered by the fact that the crew neglected to pitch-shift Shelby’s voice. Come on, guys! This could have been a great final appearance of the little guy if one of his key features wasn’t removed entirely. Now it’s just super distracting.

I dunno what the general consensus is on the GOLBetty design, but I think it’s pretty rad. Steve Wolfhard did the initial concept design, and while aspects of his take on the deity remained, the overall anatomy shifted and I think it looks way better as is. Props to Tom Kenny for obviously being one of the most versatile voice actors out there, as Simon’s disbelief at the sight of Betty feels so real and raw. Then we get to Gunther, who effectively brings Ice King back through the power of the crown. I dunno, man. I guess I’m fine with this? There’s the somewhat uncanny aspect of it all; this transformation was written in such a way that makes it seem like Ice King is back and nobody should worry about it… but like, is it really Ice King? The goofy, stilted dialogue that Gunther utters once he shifts feels like a pet’s perspective of their human owner, but everyone reacts like it’s okay and they shouldn’t think twice about it. It’s tough because I like the idea of Simon being saved by Betty, only for her to end up in a mind prison for all of eternity, but I really don’t like how easily Ice King gets the shaft in the process. This was clearly a timing issue, as there was only five minutes left in the finale by this point in time and the crew probably just decided it was something that could be handled quickly in the quirky manner. But I’ll reiterate once more, the Ice King-Simon story had gotten way too complex and intricate for it to ever have a fully satisfying conclusion. Personally, I think I would have been more happy with the idea that Ice King remains, while Simon is gone forever. I think more people would have been upset with this concept, and it would have been another example of Adventure Time being afraid to shatter the status quo, but man, I can’t help but feel Ice King got did something dirty. I like him so much more than that nerd, Simon. It’s disappointing that, no matter how much effort Ice King put into his own personal growth, it essentially didn’t matter because he’s reduced to a facsimile of his former self.

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One character death certainly isn’t taken for granted, however. Fern’s withering away is not only a poignant farewell for his character, but a nice way to tie-in to Finn saying goodbye to his childhood and a part of him in the process. The idea that he plants it where the Tree Fort once stood represents the idea that a piece of him will always be there, and the growing tree emphasizes the legacy that Finn has built and left behind in the process. Farewell, Fern! Truly one of my favorite secondary characters and probably my favorite aspect of these last two seasons. It’s just a shame that your redemption arc couldn’t have been much stronger than it was.

My gripes with the overuse of Finn’s girlish scream in later seasons aside, I do find the joke that he’s outgrown as his voice has deepened to be quite funny. I’d enjoy the sight gag of Finn being taller to be more enjoyable, had their been some consistency with his character model throughout the episode. I don’t really mind its inconsistency during the course of the series, but it feels just a bit too cheap only being included for this one moment.

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I like the notion that BMO’s story to Shermy and Beth was kind of an allusion to the crew telling the tale of the “end of Ooo” to AT‘s audience. I think many people were expecting this finale to be the end of all things, essentially. Hell, I think you could even argue that half of the fanbase was expecting Jake to be dead by the end of this episode. But that’s really not the story that the staff wanted to tell, and I don’t think that’s the story I necessarily wanted to see either. Don’t get me wrong, I find a good chunk of the finale to be somewhat underwhelming. However, I do appreciate the staff’s commitment to the idea that these characters don’t really have an “end” in mind. Just as Adventure Time has had plenty of moments throughout its run that have signified closure for its characters, such as Mortal Recoil or The Comet, there have also been plenty of new challenges and moments of growth since those instances that have further elaborated on the sinuous nature of our heroes. Even though Finn and Jake are dead by the time BMO is narrating this story, their spirit still lives on in the hearts of Shermy and Beth. Heroes die, but others arise. Even in Sweet P.’s case, an eternity of evil can become an eternity of righteousness. I keep writing myself into a corner that forces me to say “everything stays, but it still changes.” But it does! Adventure Time‘s central theme carries all the way into its final moments, hitting on the specific note that the opening theme reminds us each and every episode: the fun will never end. Even when we’re rotting in the ground!

Another great way to tie that theme together is bringing back Music Hole, a character who has lived through countless centuries, and has watched countless endings and beginnings at that. Even sweeter is the inclusion of Ashley Erikkson as Music Hole, who has very quietly been with the series through the very beginning. She sings the titular song we had all been waiting for, and it makes for a really nice epilogue.

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The montage aims at either wrapping up specific character arcs or just works as a way of showing what their lives held for them in the future. Discussing this speedy wrap-up in cohesive paragraphs seems somewhat impossible, so for your consider, I’m going to go ahead and bullet point each clip in chronological order:

  • The snail can be seen for the final time on the growing Fern tree. I’m not especially invested in this Easter egg, but I think it would have been more fitting if the snail appeared in the final scene with Shermy and Beth, waving goodbye. It’s a sweet and suitable idea that would possess the deepest lore of the snail’s immortal nature.
  • Jake and Lady flying together was nice, but it’s a bit of a shame that Lady’s “closure” is just that she kept dating Jake. Lady’s always been somewhat of the black sheep of the main characters that really doesn’t have a particular arc outside of her relationship with Jake, but I still think the staff could’ve came up with something a bit stronger. Hell, it could even be related to her connection to Jake. Have those lovebirds get married! (Every time I suggest this, some guy on the subreddit yells at me.) Even seeing Lady and Jake snuggling up in the Crystal Dimension would’ve been a nicer sentiment.
  • LSP becoming LSQ was super sweet. Even through all of her vanity, it feels genuinely rewarding to see her have a moment of triumph and receive actual respect from the other princesses of Ooo. Even Breakfast Princess, for crying out loud! I guess this is solid proof that the hierarchy of princesses only applies to Ooo, as queen seems to obviously be the highest position of royalty in Lumpy Space.
  • Haha, Ice Gunther marrying Turtle Princess was too bizarre to resist. It is funny that all Ice King had to do to claim a bride was find someone in Ooo as lonely as he is, as Turtle P is the perfect fill-in for that role. Also nice was the addition of a small, reconstructed King of Ooo in the background of their wedding. They actually managed to make the coniving shyster look adorable.
  • It was sweet to see that the reconstructed Rattleballs is finally able to hang out with other Candy Kingdom personnel in public. Though, his cameo in Jake the Brick ended up being an entire waste. I always thought that Rattleballs rebuilding his bros meant we were in store for a huge army of RBs to help seize the day in the finale. Unfortunately, it amounted to nothing. Seeing a war-starved and depressed Colonel Candy Corn was quite amusing.
  • Possibly the most obscure and easy to miss cameos during the montage is Carroll, who is back to her liquid form and content at that! I really just assumed this was a new model for a Water Nymph that the staff decided to draw up upon initial viewing. Such a thoughtful and nice addition, even including her interest of drawing elves that was mentioned in Winter Light.
  • T.V. moving into Margaret and Joshua’s old office feels a bit cheap to me. Before the series got canned, artist George Mager was commissioned to storyboard for a noir themed episode featuring T.V. in an investigative role. This was scrapped before it was finished, but it would have added a little bit more context to this moment that seems unwarranted to anyone not in-the-know. T.V.’s last appearance in Lady Rainicorn of the Crystal Dimension had him acting as selfishly as possible, and now he gets this gnarly character development out of no where? It would have been more revealing than necessary, but Finn and Jake running their parents’ old office would have been much, much more fitting than what we got.
  • Sweet P.’s graduation was nice. It would have been cool too if other known child characters were featured in the ceremony as well, such as the Pup Gang or the Marshmallow Kids.
  • Bubblegum and Lolly serenading Neddy is nice, I suppose. So, did Lolly ever bring up the fact that she tried to essentially kill her niece one day prior? We just gonna go ahead ignore that fact? Alright.
  • One of my favorite clips in the montage is Prismo’s inability to bring Betty back, only possessing the ability to whip up the waste basket that was previously seen in You Forgot Your Floaties. I like that Come Along With Me takes the time to show that not everyone receives an inherently happy ending. Despite Simon regaining consciousness, he still loses out on the one person he cares about most, continuing the codependence of their relationship by Simon dedicating his life to bringing her back.
  • Jermaine painting a new, more simplistic mural for Lemongrab was sweet, but the icing on the cake is actually see Lemongrab with a genuine smile on his face. The neurotic lemon-man has finally achieved his moment of peace.
  • I became pretty misty-eyed at BMO sending Moe’s memories into space, per his request in The More You Moe, The Moe You Know. That episode in particular is one of my very favorites and has a special place in my heart, so seeing BMO fulfill his loving creator’s final wish was just splendid.
  • Flame Princess and NEPTR rapping together is just sad to me. Like, this is what Flame Princess’s character amounted to? That she’s good at rapping? Not anything relating to her elemental nature being inherently chaotic and learning to become a positive force to those around her despite it all? What would have been a fine solo NEPTR moment is weighed down by the fact that Flame Princess’s “conclusion” is inherently meaningless. What a lame climax for a character who started off with such intrigue.
  • Cyber Tiffany 2.0! I get the feeling that the staff was super bummed out that they never got to follow up with the Dr. Gross arc. I do wonder if this will somehow factor into the Distant Lands specials, considering that it is one of the major loose ends that never really was followed up on.
  • The fully grown up Jiggler is probably the funniest cameo of all. It’s the kind of absurdist return that I’d want to see from such a rarely seen character.
  • The Jiggler’s scene is followed by the equally absurd return of the Crabbit from Something Big. It’s cute (Donny is also seen in the audience) but it doesn’t really grab me and feels like a stretch for cameos that felt absolutely necessary in the sequence. It’s like, did anyone really care about the Crabbit enough for him to get his own dedicated moment in the show’s final montage? I’m harping too much on a small moment, but when you consider that other major players, such as Shelby, Cinnamon Bun, Hunson, and Flame King don’t even get a designated appearance in this montage, it feels a bit like wasted space.
  • It was super cool to see Kara and Frieda again, with a Lemonhope cameo smushed in between. Again, similar to what I said about Simon, it’s kind of interesting to see that Lemonhope seems completely lost in life in this one small appearance. His initial appearance kind of set out to prove that he really had no idea what he was doing, and his sad expression here shows that he probably still doesn’t have a clue. Poor little Lemonhope.
  • The Candy citizens clinking their glasses just frustrates me. Again, it’s kind of unfortunate that Chicle isn’t even permitted a second chance, even though his demise was Gumbald’s fault and not his own. Even Gumbald staying in Punchy’s body feels super offensive. It would have been a way nicer sentiment if Gumbald had reverted back to himself by the end of it, showing that PB did learn a lesson in empathy along the way. Something as simple as Gumbald waking up alone by Butterscotch lake, discovering a fishing pole in front of him, and choosing to solemnly relax instead of scheme while PB is seen confident in her decision from afar. Or Gumbald being locked up and PB choosing to stand by outside his cell in an attempt to connect. Anything that doesn’t paint PB out to be somewhat heartless.
  • Tree Trunks is still bangin’ aliens. Niiice.
  • Magic Man’s mission to save Margles never really ends up coming into play in Come Along With Me, and the montage sweetly shows that he’s accepted her passing on, but will always hold memories of her dearly. I especially love that this scene occurs at the verse, “I’ll be here for you always.”
  • The shot of the princesses (and Marceline) in their fashionable wardrobes is actually a reference to a the cover of Adventure Time #51 by Mia Schwartz, whose art you can check out here! Though it wasn’t included on the original cover, I think Flame Princess’s getup is my favorite. Her bangs are too cute.
  • Huntress Wizard meditating is whatever, I suppose. It’s a shame that her character only truly started developing this season, only for her inclusion to be cut short. It really wouldn’t have made sense if she had a bigger role in this finale – there was already so much going on.
  • I do like the next scene a lot, mainly because it shows that, even if Simon is back in the picture, Marcy and PB still chose to actively hangout with him and continue being his friend. It’s super sweet. Though young Pepbut is cute, I DON’T GET WHY PB LEFT HIM LIKE THIS. WHAT THE HELL, MAN? I guess the implication with both Peppermint Butler and Gumbald is that there was no cure, but like, that hasn’t been implied until up to this point. PB’s reasoning for not bringing Gumbald and friends back in Seventeen was that, “[they] were happier this way,” not that there was no known cure. I’m gonna go ahead and call bullshit in terms of continuity.
  • Perhaps the sweetest sentiment of all is the closing scene, in which a now homeless Finn and Jake are greeted by the final arrival of the humans from Founders Island. The staff actively wanted to avoid “wrapping up” Finn and Jake’s characters by showing where they ended up in the far future, so instead they offer a bit of a glimmer of hope among big changes occurring in their lives. It’s a really nice note to end on for our heroes, even if the next chapter is right around the corner.

Adventure Time as a series ends exactly how it began – with two heroes standing triumphantly at the forefront, showing that even 1,000 years in the future, some things never change. The Ooo that we knew is no longer intact, but the spirit and the foundation of what it was continue on regardless.

SUPPORT ADVENTURE TIME REVIEWED

So that’s it, everyone! All 284 episodes of Adventure Time reviewed! I won’t waste my time getting sentimental here – there’s a couple more weeks of stuff I want to get out, and then the eventual release of Distant Lands, presumably around mid-summer. Here’s a quick glimpse at what’s coming the next few weeks:

  • Come Along With Me consensus.
  • Season Nine review.
  • The Best and Worst Episodes of Adventure Time.
  • Adventure Time Character Analysis.
  • Series Overview and (Kind of) Final Words.
  • Top 10 Adventure Time Moments.

There will likely be more to come from there before Distant Lands, but I do want to focus on these six above, as they’re the ones I’ve been most excited to tackle/chat about. As I mentioned above, if you’re feeling generous, feel free to send a dollar bill my way. Otherwise, stay tuned for more AT content!

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Favorite line: “I wrote this for my son, Jake!”